Write for You

Writing for You

I’ve been bummed lately. I’m not even gonna lie about about it.

“Don’t post about negativity.”

Blogging 101 – and today… I don’t care.

I’ve been stuck in a little bit of a rut and what I want you to know is how to conquer that because right now I feel like the world is at my feet rather than hanging over my head.

I’ve been querying a scifi romance series I love for several months now because I love it, and its gotten nowhere. Interestingly enough the rejections were nice, but I was better prepared for them because I’d self-published. My books aren’t for everyone, but in the process of querying I realised 2 things; I wanted to self-publish this series because I wanted the creative control of releasing it how and when I wanted because its important to the story line.

I also realised another thing; my muse doesn’t shut the fuck up, and its starting to annoy me.

For the third time this year I’ve written a book in less than a month and I’m set to do it again over the coming weeks. (We’ve been over this but if you want the inside how to here it is again).

The first time I did it I got a publishing contract with Literary Wanderlust and I was thrilled. There was no greater sign for me that said; you can fucking DO this!

I don’t know when the book will come out and that’s fine because I’m not worried about it. I’m worried about this raging monster inside me piling up manuscripts that are going nowhere because I’m only actively querying one of them. Another I have with beta readers (another book written in less than a month, and I have high hopes for that one), but I have about 6 others I think I can get out in less than a month.

My problem is not that I can’t write, and believe me, I know how lucky I am in that regard, but what kind of an idiot would I be if I didn’t use everything at my disposal to use that gift to the full?

My problem is that they’re just sitting there and for some stories that’s okay, and for others… it’s not.

NO, my writing isn’t perfect; but I don’t need you to tell me that.

NO, my stories aren’t the right tone for everyone; but I don’t need you to tell me that.

NO, not all my stories I will seek to publish, some are fun; but that’s what I wanted to tell you.

I have one story I’m writing to keep my fabulous CP company finishing a manuscript with her, and do you know what? I love it. But I don’t think I’d query it, or even self-publish it, because I’m just writing it for me, and just for fun.

So, I’m going to publish it on Wattpad.

I’m doing this for three reasons, the first is that as the content I am working to publish, be it through an indie press or self-publish, is going to take time and that’s fine. I don’t mind as long as something is happening with the stories I love.

The second reason is that because my stuff will take a long time to get out there I want to publish a fun story in the interim so you can all actually read some of my recent writing, but also see my raw drafted writing form.

Thirdly, I see so many writers dragged down by rejection, trying ceaseless to sell their self-published work, and I think many of them have forgotten that this is supposed to be an enjoyable activity. The chances of getting a magical writing career get slimmer ever day. I wanted to do something just for fun, just to flirt, and just to see if I could. And the beauty of it all? I’m not going to care if they don’t like it or have issues with it.

I think there is a big difference between edited work and just a polished piece from a reader, and Wattpad seems a great place to demonstrate my raw writing.

So without further preamble I’d like to show you the Wattpad book I will start to release next weekend; One with Rage…

Oresia is consumed with revenge.

Her father gave his soul away to enact vengeance on a rival family that killed his wife, leaving his thirteen-year-old daughter behind alone except for a blood bound blade.

In a world of technology and magic, the blade offers Oresia a chance at killing the person responsible for giving an illegal weapon to her father, even if it consumes her own soul.

Ten years later she’s worked hard as an executioner for crime families to get the name and location of the soulcerer who made the blade for her father. But when she seeks him out she’ll find out all she’s ever believed is a lie…

A fantasy/scifi magic romance, I have to confess that its absolutely full of violence, snark, flirting and probably down the line somewhere sex. And do you know what? Its just good fun to write. Not everything we write has to be a wonderful literary piece, you can set aside the big projects for the fun ones and that’s what I’m aiming to prove here.

Write for fun, write for you. Because at the end of the day that’s what you have at the end of every day on your writing journey, and I’d rather be happy than worrying about things out of my control.

Wouldn’t you?

August 10, 2019 2

Blunders found Beta Reading

I’ve been doing a lot of beta reading lately, and thought I’d do a quick five minute post on some easy solutions for frequent problems I’ve been running into in my reading;

Repetition
Tell not show
Character reactions
Action sequences

Of all the things I pull people up on these are the ones that I come across the most and today I wanted to give you the tools to help get around these things by letting you know what I use to avoid these horrible things.

Repetition;

When I first started writing the “Repetition Stick” from my editor started out as a light touch and ended up as a bludgeoning stick.

I quickly found an excellent tool in Rhymezone.

It allows you to look up rhymes for poetry (yes, I write a lot of poetry, I have a project about that I’ll be sharing at the end of the year), but what Rhymezone also allows you to do is look up synonyms!

So all of a sudden the dark cave that’s super dark becomes the gloomy cave that’s inky depths stretch on into the dark.

I have also recently found Power Thesaurus which appears to be another excellent resource for these issues.

Tell not Show;

I recently beta read this absolutely lovely little story involving a scene scape and the author really captured my fascination with the ocean floor in one sentence and then lost it in another.

We hear this all the time; show, don’t tell!

HOW? What witchcraft is this!?

There are heaps of blogs out there but where this one crops up a lot is in scenery and action sequences, and I’ll get to action in a moment but for scenery what I recommend is a little writing exercise… that doesn’t involve writing!

Imagine you’ve crashed on an alien planet, there’s only one space suit, and you’ve got to go outside and see what’s out there. There are no windows, and no cameras, so out you go, and now you’ve got to tell the shipmates what you see…

What do you see? Tell me, out loud, describe the above for me. Yes, do it, I’m not here to stuff around. You may think I can’t hear you, but believe me I am going to be sitting here listening. DESCRIBE IT TO ME, SOLDIER!

If you’ve just said you see an alien city, the first question from the shipmates is going to be; is their life? What does I look like? They will have questions. Answer them.

Chances are you struggle to find the descriptive words you want to use when saying it out loud, so now try writing what you see, as though recording for future generations, not missing a single detail, you are the first person to find the ruins of an abandoned alien city. What do you see?

Here is what I see;

Spires of silver strike the sky, the grasping clasp of the jungle wrapping around the throat of each building to strangle the life that doesn’t exist within.

You do not need to spend a lot of time on a description, even a single sentence will convey a landscape well. Picture what you want to convey, remove the story and characters and focus purely on the single scene.

Character actions;

This is one thing that I run into a lot, and its usually for a very fundamental reason; the writer is focusing on the plot, and not the character.

The reactions your characters have to the plot points, such as the emergence of a stranger in town, is both in dialogue and in reactions.

I was reading a romance once where a character quite literally abandoned her friends to follow a stranger down a dark alley, because he was hot. There wasn’t even a supernatural aspect such as feeling they were bound together. She followed him down a dark alley because he was hot.

EVERY WOMAN’S SELF PRESERVATION INSTINCT IN REAL LIFE WOULD BE; LIKE, NO.

It made it completely unbelievable. I lost so much respect for the character, and while the writer made an excellent follow on scene out of it, I had already lost a lot of believability for the character and thus the story.

So, when you need your character to walk down an alley, look at why. Is it a shortcut? Would you do it? Ask around for better natural reactions, say to a spouse or friend; hey, why would you walk down a dark alley? Chances are its not the alley, but something on the other side.

This is true in dialogue too.

What people say to convey the greater story elements should be in character to their personalities.

You are not going to have a cautious self-protective friend let the protagonist walk down a dark alley after a stranger. But you can’t have her, go with them either, it’d run the moment with said hot guy.

So what to do?

“Call me when you get to your bus stop.”

“Take my pepper spray.”

“Are you sure you don’t want me to go with you?”

But above all, it shouldn’t be something like this;

“Wow,” she said, “he’s hot, go follow him and see if he’ll take you home.”

But especially from the over protective friend who wanted to get her friend a cab home with her.

Our protag is not a stray dog…

If you are questioning the actions of your characters but aren’t sure how to get it across, put yourself in their shoes, don’t force them into situations that aren’t feasible or you will lose a lot of believability in the characters, and that will lose you the reader.

Action sequence;

One of the easiest ways I see writers lose action sequences is with succinct specifics and order.

There is a lack of spatial awareness, as the writer becomes focused on telling you what’s happening that the details get missed.

A sequence I read recently (in my own damn writing), had a character the MC was fighting suddenly disappear for several moments. They vanished from the script while the MC fought someone else.

What were they doing? Standing there?

Think of yourself as a sports commentator if you will, you want to relay the sequence of events in tight punchy lines to better relay to the reader (who is a listener too), what you want to convey;

Player one kicks the ball to player two, who kicks it into the goal. The ball rolls as though shot out of a cannon.

Really? That’s it?

The sequence should be as follows;

Player one kicks the ball to player two. Player two kicks the ball hard enough it’s as though its shot out a cannon, and scores the goal.

This seems simple enough but check your actions sequence for flow and look at breaking them down into single action sequence.

Sometimes I’ll do this, especially with fighting, by watching videos of the action sequence and doing a small exercise in describing just what I observe, the same as the above section with the landscape. It doesn’t need to be lengthy, but it does need flow through, so the action sequences make sense.

Ultimately, you’ll find that you make these mistakes, it’s the whole point of revising and editing.

But if you can teach yourself not to make them as you go you can make doing these things much easier. Sometimes its hard to tell, and that’s where getting beta feedback and good editors are going to pick these up for you. The more you can get this feedback, you can better focus on where you fall down as a writer and how to help improve not just that story, but you as a writer in whatever you are working on right now.

July 20, 2019 2

The Story & I

Sixteen weeks ago I was curled against the wall sobbing that there was no point being a writer anymore. I had to stop working on the Last Prophecy series and I wasn’t sure I could keep doing this. I wasn’t just tired, I was well and truly beyond weary. Exhausted.

Five years ago I met with a doctor who’d taken a series of blood tests. The original tests were supposed to have been done with my regular doctor, but the doctor suddenly wasn’t at the clinic anymore. So a stranger told me that I probably wouldn’t have children without IVF aid. Even that wasn’t a sure thing.

My life stopped.

I’d never had an overwhelming desire to have children, but when the option died, a part of me did too. I was torn apart, and I spent years being vaguely misplaced, only regaining what I’d lost inch at a time.

My husband was understanding, adoption had been something we’d discussed before.

But I felt useless. As though the complications of my womb were a manifestation of my personal failing. I didn’t have a job or career I loved, I became purposeless. My life lost all its meaning.

If my mother taught me any rule that was of value, it was this: what do I DO about it?

What I’d always wanted; to be an author.

The answer was the easiest one I’d ever made. I was yet to know how much harder it would to be do.

I’d never done much about my writing, I’d written two or three novels, each of them I knew wasn’t worth publishing. Writing had only ever been something I did when I was bored and had the itch to pen story to paper.

Now it became a necessity. If I wanted to have a purpose in life that wasn’t a family, I needed to do something about it now.

One afternoon I went online, and to a random website for a story prompt idea. I was going to write something new, fresh, different.

I ended up after half an hour of random generators with a story about airships and desert chases. I started writing a tale about a navigator in a fantasy world, with corrupt government officials, conspiracies and a haunting darkness. I was 30k words into it when I started to realise it wasn’t a standalone story.

Cut to a month later and I’d outlined a 21 book/novella series. All based on a poem I wrote. I knew immediately to start research into self-publishing, I didn’t even consider traditional. No publishing company wanted this monster of a project. But I wanted to write it, because it gave me the purpose that had been taken away.

I wrote the first novella, asked around a few friends for an editor and found Scott. He was open to editing my manuscript at a rate I could afford, and so I gave it to him.

Thus began a learning curve of writing and editing I wouldn’t forget. Scott was kind, helpful, and deeply intuitive about my work and how to phrase to a novice writer where to improve. Sometimes it was hard, things didn’t work, needed to be rewritten, but we worked at it together.

After a while I published The Hidden Monastery through Pronoun. I’d written the following novella, The Last Prophecy during Nanowrimo, and Pronoun offered winners a chance to self-publish through them.

Pronoun was a platform that took care of the self-publishing process for you, making it easy, simple and a service I happily would have paid for if I’d known they were going to shut down.

I published the other novella with them, the Last Prophecy, and then my first book, The Well of Youth, in October of 2017. It was my birthday, which also happened to be International Independent Author Day. I felt like I was finally making progress.

A month later I got the email stating Pronoun were closing down.

After years of work the world tilted. I wanted to give up. I was in a very bad place emotionally and physically, and I wouldn’t have gotten through it without the support of my husband.

I decided to keep going, mostly because I didn’t know what else to do with myself.

I kept applying myself to the craft of writing, Scott kept raising the bar of what he expected from me in his genteel way. I learned from reviews where my writing was falling down, and where it excelled.

I worked hard at it, isolated from the world by circumstances outside my control, but it was also self-imposed. I didn’t feel good enough around people who were building their careers and family, their very lives, whereas I may as well have been starting from scratch.

Over these years I watched as people became vaguely mocking of my “hobby”, mostly because I was self-published. As though it were merely an exercise in vanity. But it wasn’t a hobby to me, it was far more than that. I was determined to prove I wasn’t in this for a stint, or for attention. I wanted to be a writer. I wanted to write full time.

In anger I started a book that originally was to be sold quickly, and all of it went on hold when the plot flowed out of my hands into something greater, that would need more time and consideration. I couldn’t even let myself write a romance just to make money. It was selfish and vain, and I hated myself for it.

And so Queen of Spades went into the time consuming process of writing the entire trilogy, and even now is going through rewrites so it can be better. Just be a good story. That was what I wanted. To write good stories.

There were knocks to my goals, setbacks and delays, the worst of which was earlier this year, the whole drive I’d had to make myself an author went cold. I couldn’t afford to pay Scott while we were trying to buy a house. It wasn’t fair to keep Scott waiting, and I knew that the Last Prophecy was going to be put indefinitely on hold.

In a fit of freedom and rage I started another project.

An idea popped into my head, and I just ran with it. I had no goals, no expectations, it was just the story and me.

Along came a woman, fighting to escape a past she couldn’t control. She was out there to show others what mistakes not to make. She was intriguing and compelling. She was a coward, and I couldn’t stop writing her story.

Twenty-five days later it was done. I was exhausted but pleased with what I’d created. I sent it to my mother, who said it was the first thing I’d written she actually liked. With that cheering thought, I kept at it.

Using ProWritingAid, I went over and over it, eliminating mistakes, smoothing it out, reading it aloud to an empty room to get the tone and sentences right. Every word I fell more in love with it, I felt I’d created something real, something special. But all those years of failings made me hesitate, uncertain.

I gave it to a friend to read. Renee said, you should pitch this on Pitmad. I had two days to get ready for the event, and spent hours pulling together every inch of the savvy I’d built up over the last few years to get my synopsis and query letter ready, and to put together the most important thing; the pitches.

I put the tweets up on a timer, as an Australian its always out of hours for us, and went to bed.

I woke up and two agents liked the tweet.

I submitted the synopsis to both.

One came back with a full request.

I sent it, having been over the script a few more times in preparation for beta readers. I already had Violeta working on the cover, expecting to be rejected from the publishers I’d pitched to, but hoping I could self-publish this if they didn’t like it.

They did more than like it, they offered me a publishing contract within weeks of it being written.

I signed a publishing contract with Literary Wanderlust a few days ago.

This isn’t about my ability to tell stories. This is about my ability to work hard and consistently. To apply myself to the craft of my writing. Fear of failure is not a demon you beat once and move on, you confront it again and again, each time a newer twisted version of the exact same one you handily thrashed last time.

All the while it tells you to give up, and that there is no point.

But it can’t take away those years of work.

Nothing will tarnish the fact that I made it this far.

No one will be able to take away all that I’ve managed to accomplish.

What it took was hard work, the willingness to improve, and to keep going. For as long as it takes, that’s what I’ll do, and if you take away anything from this blog post, then I hope you don’t quit too.

May 11, 2019 4

1 Book in 25 Days

I wrote a book in 25 days.

Lets cut straight to the facts as they are;

I don’t have kids
I live in a rural area
I have a short commute
I worked fucking hard at it

I love the book, I think it’s a great stand alone story and for me that’s a rarity.

It sprung into my head after I halted work on the Last Prophecy series because buying houses is expensive and the budget said no to editing. Hell the budget said no to my damn haircuts, but we negotiated over vodka. I gave up desserts for it as part of keto.

Scott, being the wonderful and supportive person he is, rightly pointed out it’s just a delay so those of you who’ve stuck with me this far, I’m sorry. I’m still writing the stories, but the release dates are totally out of my hands.

Instead I’ve done some beta recommended rewrites on Queen of Spades the last month, and this other idea I’ve titled Behind the Veil.

The book wouldn’t shut up. It wouldn’t go away. I sat down and wrote it with no idea what was going to happen. I don’t think it’s a steaming pile of garbage but the verdict is still out from the first beta reader.

So, how did I write it?

Writers Block

When you don’t have an idea what happens next you need to think quickly and keep typing, keep writing, keep the momentum going. I’d start a chapter with a bang and finish it on a cliff-hanger of a comment which dragged me back into what happens next?

It kept the story moving briskly and my pace was very high. There was more to it than that but I’ve written articles on how I do this before.

Sprints

Fellow writer Zack Riley runs a cosy little discord channel that allows me to do writing sprints. I normally run for an hour, and will do several hours all in a row with 15 to 30min breaks.

The sprints have a bot timer so you have a prompt to keep you on track. You start a sprint, add yourself & your word total, and go when the buzzer hits. There is no TIME to stop and think, you’ve got to write as many words as you can and you are only challenging yourself. It takes practice to do it on command, (I’ve been doing it for 5 years) but after a while you can just sit and work on the story.

When I started I’d be lucky to get a couple of hundred.

Now, on a bad session, I’ll get 1200 words or so. On a good one I’ll get 2.5k words.

Outline

There wasn’t one. I just wrote Letitia’s story as hard as I possible could. I kept the story going as much as I could. Letitia may as well have been possessing me for how this story spilled out on its own.

I like to credit my imagination, but I read a lot of horror, I’d just never written it before, and it was exciting to be doing this for the first time.

You should have some idea of where it is going, just don’t be afraid if the story turns into something else, if its pressing you to write it, then its exciting, not just for you but hopefully the reader too! If its becoming boring and predictable to you, how is it going to feel to the reader? Try just letting yourself go, and sprints is a great way to do that.

No breaks!

No capes, no breaks.

I would get up in the morning and write, I would write at lunch, I’d get home and write, and I’d write for as much as ten hours on a weekend. I felt invigorated and refreshed by the constant appeal of not knowing what was going to happen. The story that was whispering in my ear, kept me coming back, even dreaming about it. By the end of it I just wanted to go back and edit it because I was in love with it.

No games. No TV shows. Nothing but writing and reading breaks (with the odd Armello game with Zack).

It meant I watched a couple of movies with my husband. We live alone, and we’re far from friends, so my time was able to be utilized to write, and knowing it was important he was incredibly supportive and reminded me to eat.

You can do this too

I am lucky in that I don’t have kids or other commitments that consume too much of my time. I live in a rural area I’m new to which means I don have many local friends.

But I work 40plus hours a week.

I have a dog that needs walking twice a day.

Hubby & I share the housework evenly. Sure he might have cooked more, but I do my part.

It was how I utilized my writing time. Rather than socialize on Twitter, I told people I was writing.

Rather than stuff around doing other things I focused solely on what time I sat down at my computer and how much writing I could put into that time. It wasn’t something I could do when I started five years ago.

All of this takes years to balance and even now I feel overwhelmed and overworked some days.

You can do this too, remember what time you sit down at a computer and ask yourself what do you want to get out of that time.

Do the writing sprints and get better with practice.

Take the story other places, let it guide you, learn to listen to it.

At the end of this all I want you to take away is that you could do this.

You could write a book in 25 days.

Ask yourself how you are utilizing your time, and what you want to get out of it.

Learn how to do writing sprints and how to fly by the seat of your pants. Even if you plot, you really just have to know what you are writing next, sit down, and do it.

I had to give up on a part of my life that had never made me happier. The Last Prophecy series is my calling to write. But while its on hold, and while I can write like this, I know a two very important things;

I’ve never been poorer, & I’ve never been happier.

I’ll write my own stories, my own way, and every time I figure out a new way to do it I’ll share it with you.

February 22, 2019 1

Letters To Writers

For 2018 Nanowrimo, a writer friend of mine decided she was going to do something different for her project; she wrote letters. She picked people she loved, people she resented, people who hurt her and she wrote every single one a letter. And then with a private website and password, she invited the people who’s letters she had written if they wanted to read them. She also invited them to respond, if they’d like, no matter what she’d written.

I was a little unsurprised I had a letter.

We had roleplayed for years together, discussed many creative topics, but along the way there were other things too, and I had no idea what she had in store for me. I considered shortening these to a few key phrases and decided not to, because it would devalue the letter.

I would also like to ask that you read all the through, because at the end I’m going to ask something of you.

Dear Eleanor,

Where do I begin? You’ve been such a huge influence on my life that the task of summarising it all in a letter, while simultaneously giving each section the time and attention it deserves, is a little daunting. It doesn’t help that you’re a fellow author. Maybe that’s where I should start.
You are, without a doubt, the first woman I’ve ever known personally that I have looked up to. That might sound harsh given that my mother exists, but that relationship is what it is. I lover her, but I don’t admire her. I admire your writing ability, but more than that, I admire your storytelling ability. They sound related, and to an extent they are, but they’re also vastly different. I am proud to say that the tattoo running down your back is, in my opinion, an apt description. Writers put words on the page. Sometimes they do it for themselves, sometimes they do it at the behest of others, but overall that is all they are paid to do. Storytellers bring words to life. Whether written or spoken, storytellers use words to bring others into another world. Storytellers are empaths and hypnotists. They steal you away from your own world and put you in someone else’s head. You are all of that and more.
Your co-workers might have called you ‘Wikipedia’, but you know what? Fuck them. Not because they’re obviously jealous of the wealth of knowledge that incredible brain of yours can hold, but because you need that knowledge. Being called Wikipedia isn’t an insult, it’s an achievement. What use is an ignorant writer? None, to anybody. Wikipedia is the repository of human knowledge about our universe. Each page of each novel you write is another entry in yours. I’m more than simply astounded by your incredible wit and knowledge, I’m jealous. You seem to know such a variety of information about every subject, and you won’t stop using it to worm your way out of every damn situation I throw at you as a GM.
I knew from that start you’d be a nightmare player to deal with, and I was absolutely right. I looked at every problem, every conflict, from multiple angles before I let you loose on them. Yet you still managed to outsmart me every time. There was always some legal loophole you knew about, or a trick with casement windows. Your personal repository of information is more than impressive, it’s downright unfair. It’s the entire reason I keep meaning to read more of your books. I’m more than a little ashamed about the fact that I never get around to it. I must have read the first five chapters of Hidden Monastery four or five times now. Life just keeps getting in the way.
I might be shockingly terrible at keeping up with your books, but I think I might have finally figured out why. As incredible as it would be to read your stories, to go visit the world that exists only in the Last Prophecy series, why would I ever settle for reading? Why would I read someone else’s account, listen to their adventure, when I have been an active protagonist in your story and fought your villains head on? Why read about anything you can go visit yourself?
I might not have been all that successful at times, and I had an almost comical habit of getting kidnapped (I still blame you for that. I’ll get my revenge somehow, someday.) but I have never felt more awesome and powerful. It was like living the most coherent and clever lucid dream. I don’t know if I could ever replace that magic with the written word. Or, maybe I’m a selfish little shit who doesn’t devote nearly enough time to supporting her friend’s projects. Obviously, I like my version better.

You are, without a doubt, the older sibling I never had. Maybe it’s because you have sisters of your own, but you seem so adept at guiding me through life. I never had anyone like that growing up. I had my mum, of course, but she’s always had her own problems to deal with, whether it be her mental or physical health. I don’t blame her for not being available, but I do sometimes wish I’d had older friends around that I could have looked up to instead. Well, I guess better late than never.
In the past, I’ve been the ones my friends came to for advice. I don’t know why. Maybe back then I talked a lot less, made me seem like I was a good listener. I still am a good listener, I just don’t have as many people around who are comfortable about opening up. I’m glad I’ve had you around to open up to. I know, for the most part, it tends to be for writing advice, but even then you could have told me to bugger off and you never do. You’re always there to help, no matter what it is or how busy you are.
There’s one incident in particular I should probably call to your attention, because I think your advice and perspective was what finally woke me up to what was going on. A few years ago I talked to you about some of the problems Lauren was dealing with. One of our mutual friends was making her feel miserable, and after talking to you I realised he was also being abusive. I thought he was just a self-obsessed idiot who couldn’t see her point of view. It wasn’t until a year later that I realised the situation was so much worse. I obviously won’t go anymore into that because it’s Lauren’s business, but I would have stayed blind if it weren’t for you.
To carry on from that, my experience with Lauren’s situation, and the advice you gave me then, helped prepare me for my own. Another letter in this book tells that story. Which I suppose I’ll have to trust you to read because you’ve never judged be before now… (Who am I kidding? You’re going to smack me and call me an idiot… but then you’ll probably name an RPG villain after him and let me kill him, so it will be fine in the end.) Anyway, there’s not much point in repeating it here. What I will say, though, is that it’s incredible how difficult it is to perceive these things from the inside. It took distance and a whole lot of perspective to realise what that person was doing to me. I don’t think I’d ever have figured it out without the variety of examples you provided me with when I was talking to you over Skype that day. And without the self-confidence you’ve restored in me, I don’t know if I could have stood up to fight any of those battles.

More than just an incredible storyteller and advice-giver, though, you are my friend. I value that more than all of the rest combined. Those features are what make you an incredible example of a human being, an overachiever, someone the world should know about. They’re not why I love having you in my life so much. I haven’t even begun to cover your compassion, humour and vulnerability yet. Oh yes, we’re going through all of that still. I’ve got at least another five hundred words to wax lyrical about you. I’m not going to waste them.

I’ve talked a little about this already when I mentioned receiving advice from you, but I feel the topic does beg its own paragraph. On top of everything else, you are an astoundingly kind woman. I don’t think a lot of people realise it at first because they get too intimidated by your powerful personality. Anyone who does get close enough, however, can see the heart inside the oncoming storm. (Yes, I did just compare you to the Doctor. You are the only person I could ever find worthy of that comparison. I mean, come on… the knowledge of all these concepts completely alien to me, taking me on wild adventures, talking your way out of just about any problem but being more than willing to fight when it comes down to it? I just have one request. Don’t make me be Amy Pond.) Someone who can get as angry as you do about things could only do that by feeling an incredible amount of love.
You’ve demonstrated this quality to me countless times, so it’s not like anyone just needs to take my word for it. You took me, and especially Emily, under your wing right from the start. Like a mama lioness you were ready to defend us against the world if we needed it. We rarely did, or we let ourselves think we didn’t, but I want you to know the effort is always appreciated. So is telling us that, day or night, if we ever ended up stranded or in trouble we were to call you rather than suffer. It’s been a long, long time since I’ve had someone I could rely on like that.

And, of course, it wouldn’t be a true exploration of the wonders of your personality without your sense of humour. For someone so clever and confident you tell jokes like a cheeky schoolgirl who’s just realised the teacher isn’t looking. You laugh like you’re just happy to be part of the group. Sometimes it makes me wonder if you used to be just like me, and then through some incredible power of metamorphosis you managed to turn into a superhero.
Just like a good superhero, sometimes you really do seem invulnerable, beyond human. You do too good a job of holding yourself up, pretending everything is fine. Even through all the stress you’ve dealt with over the past few years, and the heartbreak of losing your father-in-law, you carry on like it’s nothing. Maybe it’s because I don’t see you often enough to see that side of you, or maybe it’s because only Lucas and your close family get to see it. Either way, to me you are invulnerable and immortal. Occasionally I read posts about you crying, or you tell me about it yourself, and it just seems impossible. Of course, I know you’re human. I’ve just talked about the incredible capacity of your heart. I guess I fall too easily into looking at you as someone incapable of showing weakness.

Next time you visit those of us you left behind on Earth when you ascended to godhood, I’m sure everything will be exactly the same as it once was. I have no doubt that we’ll pick up exactly where we left off the last time we spoke, discussing novel ideas, roleplaying plans, and the infuriating reality of being a woman in the modern world. I’ll enjoy teasing you about your overused turns of phrase (Get it? Turns!) and you can wind me up about that time when, supposedly, drunk me tried to lay claim on your husband. At least I know your relationship is secure enough that both of you can continue to wind me up about that. (I almost died the first time he came to give me a lift and said, “I’m here, honey.”)

It’s incredible how big an impact you have had on my life. I’m so fortunate to have you in it, eternally blessed by your friendship every day that it lasts. And I have no doubt that it will last many, many more. It would take a miraculous feat of stupidity for me to somehow lose your friendship, and I don’t think even I’m capable of pulling it off. So I guess we’re stuck with each other for the foreseeable future – me with your infuriating intelligence and you with my peculiar penchant for wanting to date your villains.

All my love,

Lorna

It was Christmas Day that I read this letter.

I was blown away. The day had actually been a very ordinary day for me, and this was by far one of the most wonderful gifts I have ever received. I sat staring at the screen, disbelief o the tip of my tongue. To add to it, another friend of mine came along and said to me that I’d been there during a very dark time, that I was incredibly kind, and that I had helped them a lot. He doesn’t normally say these things, not quite so eloquently, and in such detail, and I couldn’t believe how many years had passed and he hadn’t said a thing, but wanted to now.

I didn’t believe it. I was sitting there, unable to deny or escape the truth of what these two wonderful people where saying about me. I was crying, this can’t be true, this isn’t true. It threatened to shred away so many doubts, so I showed my husband, asking why I was sitting there on Christmas day blubbering like an idiot. He just said; well of course its true, they wrote it.

And it was only fair to respond in kind, to tell Lorna how important she was to me. To make sure my friend knew that he’d been there for me too. So I wrote letters back, especially to Lorna, and after I’d given it a lot of thought, I knew exactly what I wanted to say.

Dear Lorna Honey, (sorry, couldn’t be helped),

I was wordless. For weeks. I kept coming back to this and wondering over and over how was I ever to respond? You have beyond humbled me, and at first I thought I did not deserve such praise.

Reading through the letter again, I have a response for every paragraph, every sentence, every word.

I can’t not, so I’ll take you down a memory I don’t think you ever saw.

I started writing books as a little girl, and go figure it was Disney princesses with no prince, I loved Aurora and the Wicked Queen’s evilness (indicative much?). I read Enid Blyton and made my own Faraway Tree in my head. And in a very big way I have one very special woman to thank for that. I know your mother has had her challenges in life, and she’s not necessarily into the same things as you, but I was lucky in that regard.

My mother read aloud to us all the time. Nearly ever night. I can’t count the books she’s read to us, it’s a library full of them. Hundreds at the very least, Lord of the Rings twice, and I boast about that but it also doesn’t express how rich my childhood was with fiction. I devoured books, and when we moved to a big city I found Goosebumps and horror in my local library. When I hit my teens not even my father’s books where safe, and one bored afternoon I picked up Terry Pratchett because the covers were weird. I think I tore through them all in a matter of days. I read to Kill a Mocking Bird in one night at school, and the teacher had us open our books to start reading in class the next day and I put my hand up and said I’d already read it. She didn’t believe me, until I threatened to tell the ending to the class. She looked flustered, didn’t know what to do, to her it was just a book, but it wasn’t to me. All my classmates stared at me, and that’s when I knew I was different. Truly different. It was the first time I was okay with that, and I was already fifteen.

After that, my weird reading and writing quirks were made a mockery of by most of my year level, and it made me a much different person than the one you know now, for a very long time.

Yes, in some ways I think we were a lot alike, and I wish there was some sort of clock where I could reset time and have gone to school with you, because I like to think we could have been besties. Because all the while you were complimenting me in that letter, you talked about times that were so dark and hopeless for me. Running those games was one of the few things that grounded me, and I am SO very glad you two walked into my games. You talk about my confidence, and I have to tell you the first time I walked into game shack I hid behind Lucas. I’m not good at making new friends.

But when we all sat down together, that game just worked. It was by far one of the most magical roleplaying experiences, but come to think of it, most of the games we’re in weren’t just amazing because of me, and as the saying goes it takes two to tango.

I saw so much of myself in you at first, and then I realised how horrendously wrong that was. At your age I was alternatively shy, confrontive, aggressive, and superior with my knowledge. I didn’t know how else to be because I was always ostracised for being me.

Yet there you were, doing you, with far more kindness and compassion than I had at your age.

And I’ll tell you the biggest secret of all. I envy you.

I wish I’d made your choices, I wish I’d been braver, I wish I’d started this journey sooner, and not wasted all that time and energy on fruitless things that didn’t matter.

You are such a beautifully complex person that no Dr’s companion does you justice, you’ll be a doctor in your own right one day.

Because I’ve seen you plan, I’ve seen you set your sights on what you want, and I know that you’re going to make it. It might not feel like it, but you are doing all the right/write things. (Sorry, I couldn’t resist).

My experience might have overwhelmed you at first, but I’ve got a lot of years on you, and I suspect by the time you get here your knowledge will far outshine mine, but most importantly, your achievements.

So now to the hard part.

I didn’t read the other letters. I didn’t have to. I knew there was something going on you weren’t telling me. And I’m sorry I was wrapped up in other things and couldn’t be there for you. That is all.

I have always tried to answer yours and Emily’s questions carefully, and with the due consideration they deserved, knowing, or at least hoping, that you would make the right choices. I was never afraid for you because even if you made the wrong one, you would still get through it, because you are unbreakable. Bend perhaps, sway maybe, but I don’t believe you can ever be torn down.

You will never be judged by me for mistakes you have made or decisions you regret, because I have all those and more in spades. And you’ll keep making them, friends, family, lovers, there are a host of bad decisions out there waiting for you. You’ll make them in anger, and frustration, and perhaps regret. But this is the way it is. This is where my experience comes from. Kindness is not an innate talent one naturally takes unless you are already predisposed to be like that. Kindness, compassion, and support are learned because you have suffered, you’ve seen it, and you want it to stop.

You will never be able to fix every problem. Finish every story. Read every book.

Things will slip and slide, life will get in the way.

I have weakness as do you, but we have strengths too.

You are so very brave. I was so proud of you when you finished your degree. More than you will ever know. I thought to myself; she did what you always wanted to, what you should have done. I should have followed that little girl’s dreams of being a writer, and instead I believed I needed to get a degree to get a job.

And here you are, getting a degree in writing, conquering Nanowrimo ingeniously, working on your creatively talents with the relentless pursuit I can only admire, and envy.

You fight standards and expectations and forge your own, you are a warrior in your own right. You are a dancer with words and expression, a fire I want to see burn on until I am gone. You are the person I wanted to be, and so if anything you said about me rings true, know that I see it in you.

I hope one day a young woman, bright and intelligent, writes you a letter like that, so you understand what a profound difference you’ve made on my life.

Never give up on you, because you are so beautiful inside, and you have so much yet I hope to see.

With all the love in the world,

Nor

Afterwards I decided that I needed to do something more. I couldn’t just let these letters lie, I needed to spread Lorna’s message, about how much we admire and love other people and you never know when that’s going to tear down walls of lies inside a persons own mind, or give them the courage to keep going, or save their life.

So I’m asking you to do it. Write someone a letter, with all the words of a creator, a sorcerer over a cauldron concocting fairy tales and stories among the stars, write a letter to someone who needs your magic.

To another author you admire, a painter who you love, and it doesn’t matter if they are famous or not, a person you’ve met in real life or not. Write them a letter. Tell them what you meant to them. There is not enough love and caring in this world and if you can take the time to read this far then please, take the time to tell someone else how important they are to you. You will never ever know how desperately they need to hear it.

January 25, 2019 1

Write the Darkness Within

“I don’t know how you did it.”

The compliment came when I announced I’d completed my 2018 goal of writing six books. They didn’t know how I did it. Thinking back, neither do I.

I normally write a blog post at the end of the year about my accomplishments and hopes for New Year, like it was a wondrous learning experience. I save the post for New Years Eve, an achievement of great pride, to tally up that I at least had something to show, and would finish on a note of peace and hope.

Laying claim to six books sounds like I had an awesome year, it would have been a great post.

I did not have a good year. I didn’t want to write that post.

I had a very bad year that has been proceeded by several bad years and my writing suffered for it. I’d swing between writing something great, the editor has said no major changes to A Phantom Presence, which was a first for me. But for him to then say that To Chase a Prophecy was not Ok, I think I rewrote it twice.

And I didn’t get those books to him on time, or in the condition they *should* have been up in. Because of all the real world distractions that dragged me down, and left me feeling used, hopeless, and above all tired.

So how did I write those books? With sadness. With despair. With a wellspring of unquenchable rage that this was all I had in the world that mattered, and it mattered to few more than to me.

It consumed me.

It was my waking wrathful thoughts and my bitter night time regret.

I sat at the computer when I was hot, tired, dirty, mind blank, with nothing left except that that burning anger at the world and all the things in it that had gone wrong.

My work wasn’t a reflection of my mood. It was what drove the stories I intended to write.

I burned through words as I tried in vain to exhaust the endless anger within me. All it did was tally up a word count I wasn’t trying to prove to anyone, not even myself. I’d write over ten thousand words a day and shrug it off as thought it was nothing, because to me, it was just what I needed to do.

There is no other way to get word counts like this, and if I have gained anything from it, it’s the ability to sit down at a computer and write ten thousand words in a day. Day after day. I am not proud of that because when I was writing those words, all that mattered was the story, the all encompassing desire to write ceaselessly on.

So if you need advice on how to sit down and write six books in a year, if you need motivation pull you through that work in progress, I don’t have it. I wouldn’t wish this feeling on anyone.

Because underneath all that rage, all that wrath, all that energy I had nowhere else to direct, I found I was made of a one very simple component.

Determination.

Where I had failed at so many things, had so much taken away, this was mine.

No one could take it from me, no one could stop me, and no one could tell me I was wrong.

I lit up words, destroyed people, created endless streams of nonsense tangled in tales that were from waking nightmares and bitter memories. And I made it beautiful, but my own.

No one can tell you how to write.

No one has a magic wand on a best seller.

No one knows the story like you do, and no one can write it like you will.

Write from the darkness within, and you’ll find what you need. I know I did.

January 1, 2019 0

A Successful Author

The first time I was asked when would I call myself a successful author, the answer was easy; if I was writing full time it meant people where buying enough of my book that I could do what I wanted.

That was when I started four years ago.

It doesn’t feel that long, but an aeon of time has passed, so much of my life has changed. Much of it not for the better. And now I know how incredibly wrong I was.

I read over and over on Twitter about people making it, they get agents, advances from publishers and all the while a host of “aspiring” authors sit in the wings, clutching their precious creation of fiction, and weep for the day it will be them too.

It started to make me sad, seeing so many of them, and knowing I was one among the throng.

How could I possibly hope to be a successful author if I couldn’t even publish my books. After 3 very hard years I still only had half of what I wanted out there for readers.

One full time self-published writer told me she released a book every three to four months.

I hadn’t done that, I spent years in a vacuum of tragedy, seeking to find definition in a life that wasn’t of my choosing, of potentially being barren, of everything that was wrong and everyone in it who laughed at my aspirations.

Worse still, I started to see other stories that didn’t have a magical happy ending.

About how people’s books were given that gold status; sold to a publisher.

But then the advances they got, what happened to them afterwards, it was rare anyone truly made it on one book alone. I started to question what “making it” really meant.

Then other stories came out, how the publisher didn’t want another book from that author, how the author lost their way, the golden moment, a brief passage. More and more you read how authors make on average less than ten thousand a year. It doesn’t matter the currency, only that it’s not enough to be a full time author.

Authors who’d won awards for books they’d written previously, but worked in mediocre jobs because a publishing contract isn’t a magic wand that changes your life.

My idea of success was dwindling with every tweet I read, every article on what it meant to finally make it, only to fall down when no one was interested in your stories anymore.

Even the so called full time authors lived in perpetual fear that they weren’t real. They called it imposter syndrome, and even the thousands of reassurances from fans, readers, and writers alike did little to abate it returning in a matter of days in another self-depreciating tweet.

If traditional publishing wasn’t the way then what was?

I self-published knowing I’d done it because I’d be rejected by a traditional publishing, but hoping after my 21 book novella series was bought up by the masses a golden contract would be handed to me too.

I wasn’t prepared.

I published a mediocre novella, followed it up with an OK one, and then published a reasonably good book.

It was a learning curve, but I felt like a failure.

And I wasn’t the only one. For every indie author I saw out there with a brilliant story, who thought to go alone and self-publishing was the key, many have done it unprepared.

Bad book covers. Bad editing. Bad stories read by betas who were friends or fellow authors and didn’t want to be honest about picking up parts of the story that were lacking. Learning that your work needs honesty of good editors and beta readers, that not even the first, second, or third draft is perfect is the hardest, most agonising lesson for new writers. Many don’t listen.

Writing the story is possibly the easiest part. Its polishing the script, waiting on it to mature, sitting with it and going over and over it again to make it as perfect as possible that is the hardest thing.

I have spent too long bent over my keyboard crying for what might have been to let myself do this anymore. To let someone else’s magical success crush the life out of a story I believe in heart and soul. A person I believe in with everything that I have that has given me strength through the darkest hours of my life.

It’s me, I have a purpose, and its being an author.

But I had to redefine what I wanted my success to be, in order to be successful.

THE DEFINITION OF AN AUTHOR IS A WRITER OF A BOOK.

I am NOT asking you, I’m telling you, look it the fuck up.

I haven’t written a book. I’ve written many. I will write many more.

To be successful at selling a book you have to be a salesperson.

To be successful at getting a wider audience you have to be in marketing.

To be successful at making money writing you have to be good in business.

Being a successful author doesn’t require any of those things.

Not all of us will ever be able to “make it” to what our inner hearts believe is success without working incredibly hard, every day, and to a large extent have an inordinate amount of luck.

Its become very important to me that I realise if I want to be at peace with the event of never “making it” I have to redefine my answer when someone asks when would I call myself a successful author.

I am one.

Right now.

If you’ve ever written a book you aren’t “aspiring” to anything. You are successful at being an author. And if you’ve ever done it, you will have gone so much further than just about anyone you know. Sit back and think about it, how many people do you know had the tenacity to sit down and write a book?

Few.

In the greater scheme of things, very few.

And if you haven’t written a book yet I want to tell you something. Finally finishing that bastard isn’t going to magically make the world a golden, magical, fantasy. It will be the same world. But you, you, my beautiful, creative, magnificent, writer, will be a successful author.

December 2, 2018 1

NaNoWriMo Survival Guide

So you signed up for Nanowrimo… good job!

There are a lot of guides out there, so I’m just going to tell you what works for me, take of it what you will.

First things first – Nano isn’t hard… for a vetran writer. Stephen King says write 2k a day, well you only have to write 1667 for Nano.

And you can do that two ways;

Panster – someone who just sits and writes as it comes to them

Plotter – someone who outlines what they are going to write before they do it

Generally, I’m a panster but I’ve normally seen the 3D movie version of the story inside my head beforehand… well, at least the scenes that would make it to the trailer for the film.

But for Nano I do a bit of plotting, and its because Nano day in day out can get hard. I normally ask for a week of leave off work just to do it. When you work full time that leave is precious, and I cant think of anywhere I’d rather spend it! This year I can’t do it, so I’m plotting. That way, when I sit at a computer to write, I know exactly what I should be working on.

How do you plot Nano?

It devolves down to outlines. I write novellas for Nano. 50k words on a novella is great, and with a prologue and epilogue it leaves me with 16 chapters at 3k a chapter (18 if you aren’t a fan of the prologue epilogue). If you like smaller chapters you can break it down further. So a table for those feeling intimidated;

34 Chapters @ 1500 words per chapter

25 Chapters @ 2000 words per chapter

18 Chapters @ 3000 words per chapter

Anything longer than this can get intimidating and basically be a bit of a time suck that doesn’t evolve into anything useful. You want to keep the general story short, punchy and interesting enough so you can rewrite the scenes with more detail when its done.

How do you keep going?

ITS ONLY 1667 WORDS A DAY!

Break it down.

Make it up.

Stretch it out.

Fill it up.

Nano is about writing on weekends and busting out 10, 15, 20k words over a weekend. Its about writing 500 words at lunch, first thing before work in the morning, and putting aside TV/gaming binge time to write. With an outline, you put on the write tunes (ahaha… I’m so punny), and you write as much of the scene as possible. That’s what its there for, it’s a guide, and then a ladder, and then when you invariably fall off, (we all do), a crutch towards the end of the month. Sure the story might deviate, but it does keep you focused on writing.

But I have writers block!

No, you don’t.

Writers block is a big fat self-doubt lie!

Realistically, characters only have a couple of choices. Think of your story, if you will, as a choose your own adventure book. If you were watching a movie, and someone paused it, and asked you what happened next, you’d probably take a stab in the dark about it, wouldn’t you? Well, getting past writers block is the same. Take a stab at it… literally or figuratively, whataever works for you.

Here is another cool way to do, to make the outcome random, fun and interesting!

Work out what the choices are, and the make one even and one odd, and then roll a dice. Trust me, this works. If you aren’t certain, treat the dice (even/odd) like an eight ball;

“Do they go down the passage? Even = yes, odd = no.”

Even.

“When they get to the end of the passage, do the get lost (odd) or find their way (even)?”

Odd.

“If they are lost, do they figure a way out (even), or do the need to be rescued (odd)?”

Odd.

“If they are rescued, is it by an ally (odd), or a enemy (even)?”

Even.

This may not work exactly the way you had it in mind… but it does promise to at least shake the story up enough for you to keep going.

I am finding it hard to find time to write…

No you aren’t, you aren’t making time to write.

Sit down and schedule your day.

What time do you get up?

Can you get up earlier?

What are you doing at lunch? Can you type or write in a notebook?

What do you do when you get home?

IS there an activity you are doing which is basically a brain reset, like gaming or watching TV?

Doing those “relaxing” activities are fine, but break it up. So do half an hour of writing, 15 mins of TV or gaming, and pace yourself. All of a sudden you have your daily quota, and you can spend the rest of the time relaxing for the day.

Other options

You can make up writing time but also give yourself credit!

Some people don’t count, but if you’re dead set on 50k words then do count, but only at the end of the day, last thing before bed.

If you’re happy and making plans don’t worry.

If you aren’t, ask yourself this; did I do all I could to make writing time, and if the answer is yes, then do me a favour. Congratulate yourself. Finding time to write while working full time, especially with kids, absolutely sucks. If you can do it you are an amazingly hard working writer.

If you’ve given up for the day, and fallen a little behind schedule, make it up over the weekend.

But most importantly, if you love writing, and want to prove that you can do this, for yourself, make time to just do one very important thing.

Love the story, fall into its arms.

Let yourself go and see where the muse’s hand takes you.

You never know how far you’ll go…

November 2, 2018 0

The Last Prophecy – Explained!

You’re doing what?!?

Writing a 21 book/novella series… and in my sleep Cthulhu eats my brain.

This came about thanks to @lilcrow during a flurry of twitter when she asked me what I wrote, and I blabbed about my series, later realising I’d given her the complete wrong impression. She’d assumed I’d actually finished this mammoth task, and flattering as it was, I’m a long way off. But I am determined… if somewhat crazy.

And she’s not the only person to question my sanity, or in fact, what it actually is I’m doing.

So here goes – I’m writing a 21 book/novella series.

10 books and 11 novellas.

3 are available now;

The Hidden Monastery; Novella 1

The Last Prophecy; Novella 2

The Well of Youth; Book 1

I will hopefully this year release the next two books in the series;

To Chase a Prophecy; Novella 3

A Phantom Presence; Book 2

The books revolve around a prophecy found during the 2^nd novella – and thus what the series is named after… the Last Prophecy;

Since capture and taming of fire

Cross worlds lit by man’s pyre

Relics of old will not rust

Lost in time, crowned in dust

In man’s hands, certain fate

Gripped by limitless hate

Frozen tears start to thaw

Sleepers awaken from before

Shadows slink in puppet’s guise

Striking the sinless, led by the wise

Words of gods cross the night sky

Struck black earth, letting virtue die

Let loose the howling beast

Hear its lies on devouring feast

Twisting thoughts through fear

Singing to silence not to hear

See echoes of a soul unknown

Holding deceit in the heart of its throne

Turning the key on misguided fool

Exhausting the dead, endless pool

Feel the lingering touch of blight

Stealing from seer, sacred light

By the fists of many, a realm will quake

Time for world’s end to awake

Brought together by faith, led by a lie

Till the end, where darkness comes to die

Found in a sealed cave written by a mad immortal, it tells of an age when the word faced a time of great distress. And in such times, humanity always turns to the surest methods of survival, even at the cost of their own morality.

The overarching story features a series of books that are mostly standalone, but are best read with the novellas. This will change as the series progresses, but for the moment the books can be read by themselves. They feature a range of characters of different countries and backgrounds, ethnicities, religions, in a world that changes them, and what they choose to do about it.

The novellas for the most part follow Lady Katarina Salisbury, as she does her best to discover the origins of the prophecy, and how best to stop its unimaginable power falling into the hands of those that would misuse it. Or so she thinks. Her story is interwoven between the novellas and in some of the books.

At the moment I have also got half of two of the books in the series done, and a couple of the novellas, so while I have not even reached half way on this project, I am cutting through it, one book at a time. I write a book every year, and a novella every November for Nanowrimo.

Each book is about 130k words, and each novella ranges between 45 and 70k words.

WHY??

Why would I do this to myself?! What unhinged dream that came swirling out of my dark imagination convinced me that I could do this, let alone would? Still got a good guess for who I blame…

Ever hear the saying that in ever person is a book? Well… I have a series.

I’ve never been convinced I couldn’t. Every time I wonder if tackling this self publishing thing is worth it, I have to remind myself that underneath it all is a very definitive purpose, I’ve been as sure of this book series as though its my own breath.

And this is why I self published. I couldn’t let anyone else dictate to me how these books had to be written, I just knew that this is how it would be. When you have a gut instinct driving you to spend your weekends indoors writing, and throwing every single penny you have at it, it becomes everything you are.

And I’ve never been prouder of myself – and from someone who has contemplated suicide in a fit of depression, anxiety, and an overwhelming feeling of uselessness, that statement speaks for itself.

So, writers and creators, don’t let anyone stop you, no matter how crazy you think your idea is, because otherwise it will be stuck inside you until the day you die and you’ll only have regret. And if that’s not a scary enough threat for you, then try this; imagine how proud you’ll be when you’re done. I know I will be, because I already am.

September 24, 2018 0