NaNoWriMo Survival Guide

So you signed up for Nanowrimo… good job!

There are a lot of guides out there, so I’m just going to tell you what works for me, take of it what you will.

First things first – Nano isn’t hard… for a vetran writer. Stephen King says write 2k a day, well you only have to write 1667 for Nano.

And you can do that two ways;

Panster – someone who just sits and writes as it comes to them

Plotter – someone who outlines what they are going to write before they do it

Generally, I’m a panster but I’ve normally seen the 3D movie version of the story inside my head beforehand… well, at least the scenes that would make it to the trailer for the film.

But for Nano I do a bit of plotting, and its because Nano day in day out can get hard. I normally ask for a week of leave off work just to do it. When you work full time that leave is precious, and I cant think of anywhere I’d rather spend it! This year I can’t do it, so I’m plotting. That way, when I sit at a computer to write, I know exactly what I should be working on.

How do you plot Nano?

It devolves down to outlines. I write novellas for Nano. 50k words on a novella is great, and with a prologue and epilogue it leaves me with 16 chapters at 3k a chapter (18 if you aren’t a fan of the prologue epilogue). If you like smaller chapters you can break it down further. So a table for those feeling intimidated;

34 Chapters @ 1500 words per chapter

25 Chapters @ 2000 words per chapter

18 Chapters @ 3000 words per chapter

Anything longer than this can get intimidating and basically be a bit of a time suck that doesn’t evolve into anything useful. You want to keep the general story short, punchy and interesting enough so you can rewrite the scenes with more detail when its done.

How do you keep going?

ITS ONLY 1667 WORDS A DAY!

Break it down.

Make it up.

Stretch it out.

Fill it up.

Nano is about writing on weekends and busting out 10, 15, 20k words over a weekend. Its about writing 500 words at lunch, first thing before work in the morning, and putting aside TV/gaming binge time to write. With an outline, you put on the write tunes (ahaha… I’m so punny), and you write as much of the scene as possible. That’s what its there for, it’s a guide, and then a ladder, and then when you invariably fall off, (we all do), a crutch towards the end of the month. Sure the story might deviate, but it does keep you focused on writing.

But I have writers block!

No, you don’t.

Writers block is a big fat self-doubt lie!

Realistically, characters only have a couple of choices. Think of your story, if you will, as a choose your own adventure book. If you were watching a movie, and someone paused it, and asked you what happened next, you’d probably take a stab in the dark about it, wouldn’t you? Well, getting past writers block is the same. Take a stab at it… literally or figuratively, whataever works for you.

Here is another cool way to do, to make the outcome random, fun and interesting!

Work out what the choices are, and the make one even and one odd, and then roll a dice. Trust me, this works. If you aren’t certain, treat the dice (even/odd) like an eight ball;

“Do they go down the passage? Even = yes, odd = no.”

Even.

“When they get to the end of the passage, do the get lost (odd) or find their way (even)?”

Odd.

“If they are lost, do they figure a way out (even), or do the need to be rescued (odd)?”

Odd.

“If they are rescued, is it by an ally (odd), or a enemy (even)?”

Even.

This may not work exactly the way you had it in mind… but it does promise to at least shake the story up enough for you to keep going.

I am finding it hard to find time to write…

No you aren’t, you aren’t making time to write.

Sit down and schedule your day.

What time do you get up?

Can you get up earlier?

What are you doing at lunch? Can you type or write in a notebook?

What do you do when you get home?

IS there an activity you are doing which is basically a brain reset, like gaming or watching TV?

Doing those “relaxing” activities are fine, but break it up. So do half an hour of writing, 15 mins of TV or gaming, and pace yourself. All of a sudden you have your daily quota, and you can spend the rest of the time relaxing for the day.

Other options

You can make up writing time but also give yourself credit!

Some people don’t count, but if you’re dead set on 50k words then do count, but only at the end of the day, last thing before bed.

If you’re happy and making plans don’t worry.

If you aren’t, ask yourself this; did I do all I could to make writing time, and if the answer is yes, then do me a favour. Congratulate yourself. Finding time to write while working full time, especially with kids, absolutely sucks. If you can do it you are an amazingly hard working writer.

If you’ve given up for the day, and fallen a little behind schedule, make it up over the weekend.

But most importantly, if you love writing, and want to prove that you can do this, for yourself, make time to just do one very important thing.

Love the story, fall into its arms.

Let yourself go and see where the muse’s hand takes you.

You never know how far you’ll go…

November 2, 2018 0

SelfPub at a Writers Expo? Where do I sign?

No, really, its not an rhetorical question.

It shouldn’t be a question.

I’ve been on this journey for three years now, and I’m still asking myself that question.

When I started my self pubbing journey I did it because there was a voice inside me that wasn’t just the woman who occasional wrote a bit, had even finished a couple of novels. I had a story I desperately needed someone to hear, and I could, and would not stop writing. My other novels weren’t so serious, but one summer I had a very serious story, and it grew and grew until it couldn’t be contained. I didn’t need to tell someone – I HAD to tell everyone!

And one of my earliest thoughts was; nobody will publish this story I’m writing.

Quickly on its heels came an immediate fear; then no one would read it.

My journey for self publishing has been explained away many times, mostly to myself at night during bouts of sleepless self doubt. I didn’t think a publisher would take it on, it’s an epic story. I could get far better margins for myself if I was self published. I had to get the story out there so people could read it, because that was all that mattered to me.

Except I read an article the other day going off about the #cockygate, (and frankly, many of us did, romance writers or not). The entire affair was offensive, but what I noted about the article was something I myself had feared; the writer tore apart the offending party (we all know who she is), and in the process pointed out something rather critical.

“You self published because you’re scared of rejection.”

That hit home. Hard.

Everyone is scared of rejection, for a very simple reason; it hurts. A lot.

Even if she was doing it during an absolute shitstorm of rage against an author dragging down the very people who would have helped her get there in the first place. Many self published authors are kind, open, and perfectly happy to give advice on how they have gotten that golden opening to write full time on stories they love.

And there are quite a few of us now, and the number is growing every day. Some are just hobbyists, others incredibly serious. And I think somewhere in the middle are a not so small group who, like me… are hopeful. For what I couldn’t say, but its more than a hobby, but not yet a career.

So, when you look at the self pubbing authors, do you think all of them were scared? Oh boy, I hope so. I was scared of having my work rejected, not only as a novice writer but also because my idea (refresher – 10 books and 11 novellas all as one series), seemed so mammoth that it would be turned out on its ear from a traditional publishing house.

There was no way I wasn’t going to write it. For reasons that will become self evident over time. I firmly believed, heart and soul ,and in the darkest of nights, that I had a very specific story to tell. And friends, I didn’t sit for six hours in a torture chair to have the word “Storyteller” tattooed down my spine for nothing.

I can’t even tell you where I began, or how much I learned during this process. I can credit Nanowrimo and the subsequent prize of publishing with Pronoun (who’s departure from the selfpub field I am not over).

There are so many articles, websites, facebook groups, manuals, books, and online tutorials for self publishing that it isn’t funny.

And many of them are self serving, or have obvious intentions of solely making money, or simply put, have their own opinions based on a very narrow field of experience. Where are you from? What genre do you write? Did you have a cover designer? Have you got a social platform? You must have an editor. Let alone how good are your stories – that almost becomes a backdrop against what you have to have as a self published author.

Do you know what there isn’t a lot of? A central place for many striving authors to go and discover if this rather complicated journey is for them. Or if they keep trying to fight an incorporeal judge who, by reputation, has already told them, in no uncertain terms: “No, we don’t take work from unpublished writers.”

Every publishing house ever – even the ones who say they do accept non published authors, still need for you to get a good editor, good synopsis, and a host of other things, for them to even look at it.

I would have given anything to go and talk to someone before I decided to do this. It brings me to tears to think about how many mistakes I made, how I wasn’t sure I was ready or capable for the dedication this requires. If I was prepared for the amount of work involved, that has nothing to do with writing my actual stories.

When so many other countries are embracing what is one of the most rapidly growing markets, why aren’t we making places to do this that aren’t online groups?

Come on, Australia, why not? We are such a country focused on community and the arts and driving our passions, why aren’t we catering to one of the greatest fields out there?

Why aren’t we telling people with very small means, that no matter how insignificant they might feel, will one day change the world, that there is a space for them to simply tell stories.

May 11, 2018 0

Birthday Book Launch!

Its coming, its so close and I am so excited to start talking about it!

SIX WEEKS TO GO until The Well of Youth will be officially released and available for purchase! To celebrate this culmination of years of hard work and passionate creativity, I will be hosting a launch event in my home town of Trentham.

I invite you to join me to celebrate not only the release of the first book in the Last Prophecy series, but also, my birthday!

The launch will take place at the Cosmopolitan Hotel in TRENTHAM, VICTORIA (21 High Street, Trentham) on Saturday, 14 October, from 4-7pm (AEST).

I will be speaking on the day – as will some invited guests – and I expect that the local, intimate nature of the event will provide plenty of opportunity for you to grill me about what you can expect as we continue through the Last Prophecy stories!

Now, I am very aware that Trentham is a bit of a hike – even for those of you based in Victoria – so I have decided that the event will also be live recorded on my Facebook page. This will mean that the prizes (yes, there will be prizes) will be on offer to my wonderful supporters and network all over the world. Stay tuned as the event approaches for more details!

So get out your bookmarks and save the date – Saturday 14 October, 4-7pm – and come along and join me in toasting the release of my new book, The Well of Youth.

September 2, 2017 0

When I’m Breathing

‘So…. How many novels have you actually written?’ A work colleague asks.

‘Three of the novellas for my series, they’re pretty short, about 45k words. The novels though, are about 130k words, and I’ve done a couple of them as well. Plus I have two others about the 50k marks, they’re longer ones, and another book series I’m starting that’s at the 30k mark.’ Running the numbers of my current projects through my head tells me it’s still not enough.

He actually sits on those numbers for a moment before responding. ‘Wow. I can’t imagine sitting down to write fifty thousand words. Let alone 140!’

‘Yeah, it’s a lot, I’m pretty pleased with it.’ I’m not. It doesn’t seem like much at all, and there is still so much to do that isn’t about writing.

‘I don’t even know how you find the time to do that.’

And for a moment I don’t know how to respond.

Its unfathomable.

I can’t describe the ease it takes to find my place in a story, stick on the head phones and punch word after word hour after hour, forgetting the total as the story wraps itself around my thoughts. There is the greatest freedom feeling the wind on your face the sway under your feet as your imagination takes you further than the stars, to new worlds where the infinite is tangible. Dipping your hands into the waters of creativity and drinking deep, slacking a thirst you never knew you had.

Stirrings of ideas grow and flourish inside, and they come pouring out, a fountain of unstoppable colours, thoughts, and feelings, and unable to contain the flow you decant it down in words. It takes time but you pull them all together, string them like glass beads on the thinnest of strands until you make something whole. Something beautiful.

Telling someone what you have done, and the frequent congratulations that devolves into uncaring incomprehension. Their inability to see what you have created doesn’t matter so much, you just need to get better with your expression and design.

I think about them all the time, all of the stories, as I’m walking to the shops, talking to my pets, doing the laundry, working in the real world. They are my constant companions, the voices in the dark, they are my bravery, and telling them my deepest desire.

Reminding myself that this is just the beginning and there is still so much to come, as I bite my tongue against the mockery for spending so much time on something that isn’t real, as though vindication of my work’s value must come from someone who’s never read a book.

Those people add flaws to characters I have yet to create, and the first impressions of them only hint at what they will become in spite of those failings. Some I recognise in myself even as I describe completely different people, who hide themselves in the shadow of my stories. In other cases they are as clear as the glass windows of my car as I drive home, working out how they will face this chapter’s challenge.

I’m the antagonist wishing to leave the dinner table so I can plot my protagonist’s demise, knowing as soon as I sit down after a long day’s work I will have to slice open my soul and cut the pieces of emotion out I need to articulate this arc of my character’s journey. To put aside what I feel, from warmth and love to sink into despair and hopelessness of my character’s suffering. Or on darker days, to pull myself from this ravine of desperation and find the light of joy, giving it to the pages of my passion.

As I turn up the music and sink myself into the turmoil of indecision and uncertainty they face, I, as their creator, have no time to dither on such emotions, though they hover about me, as though a plague. I go to bed, tasting their sadness and unspoken words, unstoppable sorrow eating a hole in me my husband has no idea how to stop.

Maybe tomorrow we can watch a movie instead, except where am I supposed to find the time when I get up and continue the façade that I am here and a functioning member of society who’s perfectly normal. And I watch it go by from the inside grieving over the time I am not punching ideas into my phone’s reminder, writing down plot twists during my lunch break, pulling over by the side of the road when traffic is awful and crying while trying to remember an escaping facet of the narrative.

I’ve forgotten I needed to be somewhere this weekend, so I can’t edit that piece. I don’t have the funds to upgrade the website because I need to pay the credit card bill used for advertising. Somewhere in all this I need to find the headspace for myself, to take my estranged spouse out, to play some computer games with him. And then I berate myself that I shouldn’t have spent so much time on that when I forget the passing hours. Or avoid the guilt by stating I’m letting off steam, there has to be a moment I can let go. But if there is then I should use it to read for a while, except I feel disconnected as I critique the writing, or worse, suffer through anxiety I am not as good as this writer. Why am I trying?

The dread that I am as awful as that two star review I received, and I’m burning myself up on a fruitless endeavour, even when it’s the only thing that makes the harshness of life bearable. The stories surround me and some days I don’t know if they are strangling me or holding me together. When the loving words of my husband can’t crack through the shell of self doubt, even as he is screaming them at me, with the quietest of whispers, that one day I will make it.

‘I write a lot in my spare time.’ I answer my work colleague.

My spare time is when I’m breathing.

June 14, 2017 0

Conforming to Genre

I hated this part of being an author, I really did.

“What genre is your book?”

“It’s a steam flavoured fantasy with a suspense/horror twist.”

It was written all over their face. “What?”

I had a great idea for a story, and it turned into a great idea for a series but there were problems. When I brought up my book to publish it had to be listed into a specific genre. There wasn’t a choice it had to be somewhere with books of similar nature. This makes sense, I don’t want to find a biography in the fantasy section, but it still irked me because my book wasn’t just one genre.

It had elements of steam level technology, a genre I love but is often overwhelming with its political based plots or dozens of fantastic gadgets. Each in their own way cool, but not what I was doing specifically. My books have elements of those things; I have airships, corsets, intrigue and bizarre contraptions, but they are not the only part of my books.

I have based it in a completely made up fantastical world of my own design with my own quirks, charms and unknown depths. It features things that can’t be explained by science in their world or ours, and are not entirely magical in the sense of traditional stereotypical magic. There was to be no wands, or mythical forces with limitless unfathomable power. Yet there would be things that defied the law of nature, physics and life as we know it.

This was adventure, that would lead its heroes and heroines into great peril, with untold value at the end, but at great risk. There were darker things that wait for them, enemies who have their own goals, and creatures lost in time. There will be something that moves in the shadows. After all, it’s not thrilling without a bit of danger!

There would be in some cases love, and comradeship, but this isn’t a romance series or a book about friends. I have touched on real word issues that are important to me but have tried not to swamp the reader with my ideologies.

Most of all I had a story in my head that had all these things; a great adventure that stretched from the finding of ancient artefacts to this world’s version of modern science and contraptions that would change the world. It would test and try its characters with what is to come, and be a great story I enjoy telling.

I have to list my books in a genre, but where its specified on the genre list isn’t all it is; it’s my story. I define it.

October 4, 2016 0