Beyond Beginners Marketing

I was recently speaking to a friend about what else she could do beyond the basics of getting her marketing plan ready, and what it was to actually have one. There were things I knew, information I’d learned over the years that I’d kept to myself.

Another Twitter user asked for some pointers, completely separate, and I thought about sharing my secretes with them too, before I asked myself why the hell was I keeping this to myself? If your book is good, and you do all the right things, starting with this helpful beginners list to self-publishing, then you will find your audience. It takes time, but this is a great way to start. You should also look at reviews, and your idea of what success should be.

There is a secondary stage to that list, that I wanted to talk about today here.

Marketing companies are very expensive because marketing takes a lot of work. More so sometimes than editing or even writing the damn book to begin with. So today I’m going to cover tools to make it easier, and what I use to help.

Ultimately, you should be using these tools and the ones within the above links in tandem to create a detailed and set out marketing plan that follows the correct trends. Whether or not you use all of these or only some, is up to you, and what you are comfortable with, but my recommendation is to spread yourself across all of them for the best impact.

 

  1. Social Media Tools

Making posters and social media content is intimidating, and I’ll be honest, you are going to stuff it up. Imagine asking someone who creatively writes to create an attention grabbing poster. Not everyone can attune themselves to that sort of imagery and this is where there are some tools that are helpful to use in your social media platforms. Some of these have small fees, and its worth paying them to get some better images and access.

Canva: IS GREAT! Free to use, browser based, you can pay for a higher membership which gets access to better and more importantly commercially free pictures. Don’t just go to any photo/image site and copy or download images. If you are using them for marketing always check what the rights are, and buy them if you don’t have them and it’s the perfect image.

Canva comes with a host of premade social media images that allows you to just change the text and images until you get comfortable with how you are marketing yourself. Don’t forget to check out what other people are doing, and get feedback on how they look.

Book Brush: This is an excellent if somewhat more advanced tool, the same as Canva, browser based and has a fee for higher level of use. What the real appeal here is that they are specific to books, and have a range of templates as well as 3D images you can put the cover of your book on. There is even one for a cover reveal as well, which is  great tool to use to help drum up interest in the book.

 

  1. Timing

You are ready! The book is edited! You have a great cover! You’ve done everything you need to! Its all a go!

So when should you really publish?

Timing is everything, they say don’t release a book in the last quarter of the year, unless you’re a horror/thriller (for Halloween), and of course Christmas themed books. There can also be a slew of health and non-fiction diet books to get rolling in time for the new year.

The timing for all genre’s is different, but some are obvious; romance on Valentines.

Others aren’t so much, and its a good idea to find when certain books throughout the year are released for your genre.

January to June tends to have much of the heavier reading of the year, preparing for the summer season. Then there is the summer reading itself, good for lighter books/holiday reading.

Pick your time, observe the trend, and spend your time working towards that goal.

 

  1. Book Tours/Blog Tours

You can find many services willing to offer book and blog tours to help promote your book.

I can’t list a single service here because not only are there hundreds of them, if not thousands, you have to pick what’s right for you.

Google them, find the ones that fit your genre, make sure they are on Alli’s safe list (or at least not a scam) and check their prices out.

You can also contact a slew of authors on twitter who do this gratis for other indie authors, such as myself.

Its good to remember too, not only should smaller platforms like mine not be overlooked, but spending more money doesn’t equate to more exposure. Don’t sink all your funds into one avenue, use multiple ones, and record how well they do for next time.

 

  1. E-newsletters

The above goes for e-newsletters as well. You an spend hundreds of dollars advertising your science fiction drama… to a very small audience who are actually only interested in epic fantasy.

Make sure you look at the content of these services, because when you google them there are hundreds of them all promising sales and it can be overwhelming. Don’t fall for every one, look at what they are advertising, and if it isn’t a good fit for your book, discard it.

The trick to note here as well, is that many of them are booked out for months because books are released very far ahead of schedule. It takes a lot of planning. Which is why you need to plan the books release well in advance in order to make sure you can actually get your book listed with these services at roughly the same time.

Take the time to use both book/blog tours, and e-newsletters, to time their release together to get as much exposure as possible. The more your book trends, and is bought, the higher up the ladders it will climb, gaining it more attention.

 

  1. Pod/Youtube Casts

There are heaps of these around the indie market by indie authors for indie authors. You can ask around, many will do interviews, but also see which ones are just to talk writing rather than just interviews. You are there to promote your book, but not everyone wants to hear just about that.

Its still a good way to gear up attention for your book, especially if the listeners/watchers like what you have to say, which will then give you the opportunity to pitch it, normally referred to a “plug” at the end of the cast, where you can talk about your book and when it’s out.

The advantage of these is that not only are you self promoting, and getting your work out there, you’re also networking, a useful tool that gives you a lot of visibility.

 

  1. Advertising on Amazon & Goodreads

My impression of this is that its better to do these things again close to your release date but they can be very expensive. If you have your plan down pat and can afford to do it, it can be quite lucrative, but not always.

I’m hesitant to advocate it, given it doesn’t work for everyone and I’ve had reports of both abysmal and successful runs with these advertising platforms.

The same can be said of many of the book promo sites out there. You can pour as much (or little) money as you like into those sorts of avenues, but without all the groundwork, and a good book, you aren’t going to get anywhere.

 

 

These can all seem super intimidating, and they are, but its important if you are an indie author that you do you and your book a favour, and make a marketing plan.

This does however take time.

You need to plan for months in advance and if you are impatient, and don’t think some of these through, you’re liable to have your book reach a quick peak, and then fall rather flat.

Incorporating all of these methods into your book, will help get it the attention and love that you want, and find it some forever homes in the hearts of readers.

With so many indie books available on Amazon, a veritable ocean, your single drop needs to have a ripple, and your marketing plan is that ripple.

 

Kindess Costs Nothing

 

Kindness

The Writing Community on Twitter has become the largest, fluffiest blanket of love and communication on Twitter. Ask any writer or creative and all sorts and they will assure you that the community on Twitter has made them a better writer.

With people posting success and losses, times of trial and celebration, there are any number of people to reach out to for help, encouragement and support.

But for such a bunch of talented people, my goodness are some of them completely feral.

Forgetting that there are accounts that are nothing but serial retweeters, follower hoarders, and pedophiles floating around, there are legitimate accounts where if you say the wrong thing to them, you may as well close your account.

With the surplus of people using Twitter as a means to communicate and find other writers, some accounts have gone from a few hundred followers to tens of thousands overnight. That’s good though, people should be posting content that’s engaging and encouraging.

What’s not is when things get messy.

You’ve got 280 characters to express an opinion and if you don’t hit your mark just right you can be torn to shreds.

Time and again I’ve witnessed the owner of a big account (one with LOTS of followers) not agree with something that’s been said by a smaller user on their feed, which is fine, we don’t all agree on a host of subjects. What’s not is then having those said thousands of followers absolutely destroy the offender, even if what they said wasn’t that aggressive to begin with.

What this then devolves down to is targeted harassment.

Not cool, Writing Community.

You know that, and if I asked you, most of you would put up your hand and say; yes, I’ve been bullied, and I’ve been bullied online too.

This blog post, I’m shouting out the #WritingCommunityMum, Emma Lombard, who loves to look after new twitter users, and even has great advice for older ones! (I still don’t know why I should put a dot before I @ someone…)

Emma’s newest blog of her Twitter Tips for Newbies series includes a detailed post on bullying, but we’ve come together to give you a few tips on how you can handle these situations;

 

  1. Should I really post that tweet/reply?

 

Emma: I avoid confrontational situations but even then, I sometimes hesitate when I’m about to send a reply, especially if it’s one that is laced with my own sense of humour. Not everyone will read into that humour, no matter how many emojis I add. I’ve caught a couple of tweets that could be misconstrued before I’ve sent them out, and a couple after the fact – in which case, I have chosen to delete my response and re-word it for clarification.

 

EJ: If I have even the smallest doubt about what I’m about to post it goes in the delete pile. If you can’t say something nice don’t say anything at all. Standing up for yourself shouldn’t be about tearing someone else down. Defending your statements should be about you and what you want to say, not about others and their flaws.

 

  1. Someone was rude:

 

Emma: Despite my very best efforts to be polite to people on line, I still had one snappy belligerent reply of “Whatever!” to one of my comments once. I was about to try and clarify what I had meant and that I had not intended it to come across as rude – and I was about to apologise too, when I stopped myself and realised that I wasn’t going to win that one. My mantra in these cases is no response at all. No explanation. No apology. No like. Just scroll on past and shake it off. How many of us post stuff that we know never gets seen because it is lost in the Twitterverse void without a single like. If you don’t reply to someone, there is no way for them to tell if you are ignoring the comment or if their comment was simply swallowed up, never to see the light of day.

 

EJ: Ignore it, leave it unliked. You don’t actually have to respond to those tweets you think are going to cause trouble. I’ve had the most random people walk into one of my threads and start shouting for attention. The best way to get rid of them is to not respond at all. Engaging these people validates your acknowledgement of what they are saying.

 

  1. They have a big account, but I don’t like what they are saying

 

Emma: When I was new to the #WritingCommunity (with all 36 of my followers!), I was in awe of the accounts with huge follower numbers! I marvelled at what they must have done to grow like that. As I became more experienced, I realised of course that there are so many ways to gain huge followings, and not all of them are healthy or good for the followers or the followees, like blind following without screening followers and allowing hundreds of bots to follow you. As I now find myself in the supremely fortunate position of having 13k followers, I have realised that having such traction and such a wide reach online actually comes with a weight of responsibility to speak and act appropriately even more than ever. Just because you followed someone with a large following, doesn’t mean you are obligated to stay following them if you see behaviour that makes you uncomfortable. You won’t necessarily be able to get that person to see reason – in fact, I’ve seen too many folks try and get burned in the process, so I don’t recommend it – but you do have the power to quietly remove that person from your feed.

 

EJ: This isn’t facebook, just because you went to high school with that twit who joke asked you to prom doesn’t mean you HAVE to be friends. Fuck that. Unfollow them, mute them, block them if you want. I have a few dozen accounts I’ve done this to, mostly because I’ve found whatever they are saying offensive which is more about their platform, and their message. This is your platform, you are choosing to spend time on it, spend it with people who validate you.

 

  1. I said something that was misconstrued and now I have a whole pack of people after me. What do I do?

EJ: If you did make a mistake, apologise, sincerely. Most people react well to it. Anyone who doesn’t accept and decides to verbally attack with name calling is someone you can and should block. Some of these people are treating the anonymity of social media as mask to cover their poor behaviour. Eleanor Roosevelt once said people don’t remember what you said or did, they remember how you feel. If you don’t feel good, hit that block button.

Emma: If what you said was well meant but was just misunderstood, the best way I’ve seen folks handle this is to give a quick apology for the misunderstanding and then move on, no longer engaging on the thread. It would be wise to mute the conversation so that you are not tempted to be drawn back into the conversation. When that mob mentality sets in, it is near impossible to try and get people to see reason when their blood is up. Depending on how ugly it gets, you might also see a truer reflection of some of the people you are following and this may be the decider for you to unfollow, soft block or hard block a bunch of people. It’s okay to do this in order to keep your feed full of the content and types of folks who you want to see. It’s all part of the continual job of Twitter housekeeping.

 

  1. My friend is being attacked online. Should I dive in to defend them?

 

EJ: Diving is a hasty word, it relies on not taking into consideration what’s going on, or things that fall outside that thread. I saw an agent and writer get into a massive fight, but because they kept retweeting the other’s response with a comment, it got very messy. I was asked via DM to block someone who was racist. In both instances I looked at or round the offending tweets, and decided for myself. If you have a good friend, and they are being attacked, it’s good to come and support them, but you are also making yourself a target. As long as you’re ready for that, and what else comes of it, then you can do it. But sometimes you can’t talk to these people and butting in can make it worse. So don’t dive in. Make a clear and level headed decision, and if you think you should come to their defence THEN cannon ball that shite.

 

Emma: I’ve seen this happen a couple of times to folks I know online. I personally never dive into the conversation publicly but I rather contact my friend privately via DM (direct message) to offer support. I check that they are okay and then gently suggest they disengage from the toxic conversation.

 

  1. This all sounds too hard and not worth it – I think I’m going to give up Twitter.

 

EJ: Twitter is a great platform, BUT ITS NOT FOR EVERYONE. It takes a lot of time, a lot of tweeting, and vigilance. You’re in a sea with a lot of other boats, some of them are friendly, others are not, no matter how nice you are. Some you’ll run into one by accident, other’s you’ll leave far behind. At the end of the day its still your vessel. How you use it is up to you. People take breaks from it all the time. Consider doing that if you feel harassed, and check in to keep it active but keep a pinned tweet saying your on a break. If you come back and its still not for you then dump it. At the end of the day its an app on a phone. It doesn’t define you as a writer.

 

Emma: The best way to navigate Twitter is to educate yourself about how it works and what functions you have at your disposal to mould your Twitter account into a place that makes you happy to come to. You can do this by searching online, or asking others in the #WritingCommunity for help to understand a particular aspect that is stumping you. Yes, EJ’s blog covers how to manage the nastier side of Twitter (which is actually super important to know) but there are also so many folks out there brimming with goodness and a desire to support and uplift other writers. Don’t be afraid to take control of your own Twitter feed – it all starts with who you decide to follow, or unfollow, in the case of when it goes wrong.

Happy Tweeting!

 

 

Ultimately, whatever you put ANY effort into, be it work, career, home, family, friends or a social media app, needs to be worth that time. If you don’t feel good, or are still uncertain, reach out for help. Its not the end of the world to mute or block someone. No one is calling you on your decisions, and if they do, remember that its your account, you can be an ass, or you can make genuine and life changing connections.

 

The #WritingCommunity has so much to offer, and it’s a shame to lose it for a few people who aren’t being kind. There are enough internal doubts and external negativity to what we writers do, that we don’t need the pressure of a stranger’s inflated ego making us feel bad. Kindness costs nothing, and if someone isn’t kind to you, don’t be afraid to remove them from your life.

A Successful Author

The first time I was asked when would I call myself a successful author, the answer was easy; if I was writing full time it meant people where buying enough of my book that I could do what I wanted.

 

That was when I started four years ago.

 

It doesn’t feel that long, but an aeon of time has passed, so much of my life has changed. Much of it not for the better. And now I know how incredibly wrong I was.

 

I read over and over on Twitter about people making it, they get agents, advances from publishers and all the while a host of “aspiring” authors sit in the wings, clutching their precious creation of fiction, and weep for the day it will be them too.

 

It started to make me sad, seeing so many of them, and knowing I was one among the throng.

 

How could I possibly hope to be a successful author if I couldn’t even publish my books. After 3 very hard years I still only had half of what I wanted out there for readers.

 

One full time self-published writer told me she released a book every three to four months.

 

I hadn’t done that, I spent years in a vacuum of tragedy, seeking to find definition in a life that wasn’t of my choosing, of potentially being barren, of everything that was wrong and everyone in it who laughed at my aspirations.

 

Worse still, I started to see other stories that didn’t have a magical happy ending.

 

About how people’s books were given that gold status; sold to a publisher.

 

But then the advances they got, what happened to them afterwards, it was rare anyone truly made it on one book alone. I started to question what “making it” really meant.

 

Then other stories came out, how the publisher didn’t want another book from that author, how the author lost their way, the golden moment, a brief passage. More and more you read how authors make on average less than ten thousand a year. It doesn’t matter the currency, only that it’s not enough to be a full time author.

 

Authors who’d won awards for books they’d written previously, but worked in mediocre jobs because a publishing contract isn’t a magic wand that changes your life.

 

My idea of success was dwindling with every tweet I read, every article on what it meant to finally make it, only to fall down when no one was interested in your stories anymore.

 

Even the so called full time authors lived in perpetual fear that they weren’t real. They called it imposter syndrome, and even the thousands of reassurances from fans, readers, and writers alike did little to abate it returning in a matter of days in another self-depreciating tweet.

 

If traditional publishing wasn’t the way then what was?

 

I self-published knowing I’d done it because I’d be rejected by a traditional publishing, but hoping after my 21 book novella series was bought up by the masses a golden contract would be handed to me too.

 

I wasn’t prepared.

 

I published a mediocre novella, followed it up with an OK one, and then published a reasonably good book.

 

It was a learning curve, but I felt like a failure.

 

And I wasn’t the only one. For every indie author I saw out there with a brilliant story, who thought to go alone and self-publishing was the key, many have done it unprepared.

 

Bad book covers. Bad editing. Bad stories read by betas who were friends or fellow authors and didn’t want to be honest about picking up parts of the story that were lacking. Learning that your work needs honesty of good editors and beta readers, that not even the first, second, or third draft is perfect is the hardest, most agonising lesson for new writers. Many don’t listen.

 

Writing the story is possibly the easiest part. Its polishing the script, waiting on it to mature, sitting with it and going over and over it again to make it as perfect as possible that is the hardest thing.

 

I have spent too long bent over my keyboard crying for what might have been to let myself do this anymore. To let someone else’s magical success crush the life out of a story I believe in heart and soul. A person I believe in with everything that I have that has given me strength through the darkest hours of my life.

 

It’s me, I have a purpose, and its being an author.

 

But I had to redefine what I wanted my success to be, in order to be successful.

 

THE DEFINITION OF AN AUTHOR IS A WRITER OF A BOOK.

 

I am NOT asking you, I’m telling you, look it the fuck up.

 

I haven’t written a book. I’ve written many. I will write many more.

 

To be successful at selling a book you have to be a salesperson.

 

To be successful at getting a wider audience you have to be in marketing.

 

To be successful at making money writing you have to be good in business.

 

Being a successful author doesn’t require any of those things.

 

Not all of us will ever be able to “make it” to what our inner hearts believe is success without working incredibly hard, every day, and to a large extent have an inordinate amount of luck.

 

Its become very important to me that I realise if I want to be at peace with the event of never “making it” I have to redefine my answer when someone asks when would I call myself a successful author.

 

I am one.

 

Right now.

 

If you’ve ever written a book you aren’t “aspiring” to anything. You are successful at being an author. And if you’ve ever done it, you will have gone so much further than just about anyone you know. Sit back and think about it, how many people do you know had the tenacity to sit down and write a book?

 

Few.

 

In the greater scheme of things, very few.

 

And if you haven’t written a book yet I want to tell you something. Finally finishing that bastard isn’t going to magically make the world a golden, magical, fantasy. It will be the same world. But you, you, my beautiful, creative, magnificent, writer, will be a successful author.

 

 

Sunset chaser

The Last Prophecy – Explained!

You’re doing what?!?

Writing a 21 book/novella series… and in my sleep Cthulhu eats my brain.

This came about thanks to @lilcrow during a flurry of twitter when she asked me what I wrote, and I blabbed about my series, later realising I’d given her the complete wrong impression. She’d assumed I’d actually finished this mammoth task, and flattering as it was, I’m a long way off. But I am determined… if somewhat crazy.

And she’s not the only person to question my sanity, or in fact, what it actually is I’m doing.

So here goes – I’m writing a 21 book/novella series.

10 books and 11 novellas.

3 are available now;

The Hidden Monastery; Novella 1

The Last Prophecy; Novella 2

The Well of Youth; Book 1

I will hopefully this year release the next two books in the series;

To Chase a Prophecy; Novella 3

A Phantom Presence; Book 2

The books revolve around a prophecy found during the 2nd novella – and thus what the series is named after… the Last Prophecy;

Since capture and taming of fire

Cross worlds lit by man’s pyre

Relics of old will not rust

Lost in time, crowned in dust

In man’s hands, certain fate

Gripped by limitless hate

Frozen tears start to thaw

Sleepers awaken from before

Shadows slink in puppet’s guise

Striking the sinless, led by the wise

Words of gods cross the night sky

Struck black earth, letting virtue die

Let loose the howling beast

Hear its lies on devouring feast

Twisting thoughts through fear

Singing to silence not to hear

See echoes of a soul unknown

Holding deceit in the heart of its throne

Turning the key on misguided fool

Exhausting the dead, endless pool

Feel the lingering touch of blight

Stealing from seer, sacred light

By the fists of many, a realm will quake

Time for world’s end to awake

Brought together by faith, led by a lie

Till the end, where darkness comes to die

Found in a sealed cave written by a mad immortal, it tells of an age when the word faced a time of great distress. And in such times, humanity always turns to the surest methods of survival, even at the cost of their own morality.

The overarching story features a series of books that are mostly standalone, but are best read with the novellas. This will change as the series progresses, but for the moment the books can be read by themselves. They feature a range of characters of different countries and backgrounds, ethnicities, religions, in a world that changes them, and what they choose to do about it.

The novellas for the most part follow Lady Katarina Salisbury, as she does her best to discover the origins of the prophecy, and how best to stop its unimaginable power falling into the hands of those that would misuse it. Or so she thinks. Her story is interwoven between the novellas and in some of the books.

At the moment I have also got half of two of the books in the series done, and a couple of the novellas, so while I have not even reached half way on this project, I am cutting through it, one book at a time. I write a book every year, and a novella every November for Nanowrimo.

Each book is about 130k words, and each novella ranges between 45 and 70k words.

WHY??

Why would I do this to myself?! What unhinged dream that came swirling out of my dark imagination convinced me that I could do this, let alone would? Still got a good guess for who I blame…

giphy

Ever hear the saying that in ever person is a book? Well… I have a series.

I’ve never been convinced I couldn’t. Every time I wonder if tackling this self publishing thing is worth it, I have to remind myself that underneath it all is a very definitive purpose, I’ve been as sure of this book series as though its my own breath.

And this is why I self published. I couldn’t let anyone else dictate to me how these books had to be written, I just knew that this is how it would be. When you have a gut instinct driving you to spend your weekends indoors writing, and throwing every single penny you have at it, it becomes everything you are.

And I’ve never been prouder of myself – and from someone who has contemplated suicide in a fit of depression, anxiety, and an overwhelming feeling of uselessness, that statement speaks for itself.

So, writers and creators, don’t let anyone stop you, no matter how crazy you think your idea is, because otherwise it will be stuck inside you until the day you die and you’ll only have regret. And if that’s not a scary enough threat for you, then try this; imagine how proud you’ll be when you’re done. I know I will be, because I already am.

SelfPub at a Writers Expo? Where do I sign?

No, really, its not an rhetorical question.

It shouldn’t be a question.

I’ve been on this journey for three years now, and I’m still asking myself that question.

When I started my self pubbing journey I did it because there was a voice inside me that wasn’t just the woman who occasional wrote a bit, had even finished a couple of novels. I had a story I desperately needed someone to hear, and I could, and would not stop writing. My other novels weren’t so serious, but one summer I had a very serious story, and it grew and grew until it couldn’t be contained. I didn’t need to tell someone – I HAD to tell everyone!

And one of my earliest thoughts was; nobody will publish this story I’m writing.

Quickly on its heels came an immediate fear; then no one would read it.

Image result for self publishing meme

My journey for self publishing has been explained away many times, mostly to myself at night during bouts of sleepless self doubt. I didn’t think a publisher would take it on, it’s an epic story. I could get far better margins for myself if I was self published. I had to get the story out there so people could read it, because that was all that mattered to me.

Except I read an article the other day going off about the #cockygate, (and frankly, many of us did, romance writers or not). The entire affair was offensive, but what I noted about the article was something I myself had feared; the writer tore apart the offending party (we all know who she is), and in the process pointed out something rather critical.

“You self published because you’re scared of rejection.”

That hit home. Hard.

Everyone is scared of rejection, for a very simple reason; it hurts. A lot.

Even if she was doing it during an absolute shitstorm of rage against an author dragging down the very people who would have helped her get there in the first place. Many self published authors are kind, open, and perfectly happy to give advice on how they have gotten that golden opening to write full time on stories they love.

And there are quite a few of us now, and the number is growing every day. Some are just hobbyists, others incredibly serious. And I think somewhere in the middle are a not so small group who, like me… are hopeful. For what I couldn’t say, but its more than a hobby, but not yet a career.

So, when you look at the self pubbing authors, do you think all of them were scared? Oh boy, I hope so. I was scared of having my work rejected, not only as a novice writer but also because my idea (refresher – 10 books and 11 novellas all as one series), seemed so mammoth that it would be turned out on its ear from a traditional publishing house.

There was no way I wasn’t going to write it. For reasons that will become self evident over time. I firmly believed, heart and soul ,and in the darkest of nights, that I had a very specific story to tell. And friends, I didn’t sit for six hours in a torture chair to have the word “Storyteller” tattooed down my spine for nothing.

I can’t even tell you where I began, or how much I learned during this process. I can credit Nanowrimo and the subsequent prize of publishing with Pronoun (who’s departure from the selfpub field I am not over).

There are so many articles, websites, facebook groups, manuals, books, and online tutorials for self publishing that it isn’t funny.

And many of them are self serving, or have obvious intentions of solely making money, or simply put, have their own opinions based on a very narrow field of experience. Where are you from? What genre do you write? Did you have a cover designer? Have you got a social platform? You must have an editor. Let alone how good are your stories – that almost becomes a backdrop against what you have to have as a self published author.

Do you know what there isn’t a lot of? A central place for many striving authors to go and discover if this rather complicated journey is for them. Or if they keep trying to fight an incorporeal judge who, by reputation, has already told them, in no uncertain terms: “No, we don’t take work from unpublished writers.”

Every publishing house ever – even the ones who say they do accept non published authors, still need for you to get a good editor, good synopsis, and a host of other things, for them to even look at it.

I would have given anything to go and talk to someone before I decided to do this. It brings me to tears to think about how many mistakes I made, how I wasn’t sure I was ready or capable for the dedication this requires. If I was prepared for the amount of work involved, that has nothing to do with writing my actual stories.

When so many other countries are embracing what is one of the most rapidly growing markets, why aren’t we making places to do this that aren’t online groups?

Come on, Australia, why not? We are such a country focused on community and the arts and driving our passions, why aren’t we catering to one of the greatest fields out there?

Why aren’t we telling people with very small means, that no matter how insignificant they might feel, will one day change the world, that there is a space for them to simply tell stories.

Where have I been?

Right here actually, I was right here working my behind off.

I’ve flung myself into the yet unnamed 3rd book of the Last Prophecy Series, and its proving to be beautiful but… a tad political, requiring oodles of research but that’s for another post when I DO have a title for the book.

I’m also neck deep in the reviews for Queen of Spades Awakening – and being told by my beta readers I shouldn’t release in February without the next book being ready. Why? Well it may have the smallest… tiniest… little cliff hanger. Ok, I’ll stop lying, its so awful my sister made me partially deaf in one ear when I told her I hadn’t written the next one yet. Which means plonking down and writing the next two because the 2nd one in the series also ends on a cliff hanger. I’m a sucker for cliff hangers.

On top of that my dear husband and I have settled on a builder and are in the process of starting the ball rolling on our plans for our first home. Exciting times I can tell you but it does mean there are going to be some pretty major crimps in my ability to keep my author platform afloat.

But what does that mean for my writing?

Well – I’ll keep going, and I’ll keep releasing them as I promised.

To Chase a Prophecy should be out in July and follows Kat in her adventure to her mother’s homeland of Rodovinia; and hopefully more answers on the Well of Youth and the other as yet unknown dangers in Nick’s translation of the Last Prophecy.

In October I will release A Phantom Presence; the next instalment of the Last Prophecy Series. The second book follows Detective inspector Ruslana Sergeyovak in Rodovinia’s capital, Kosyavko, as she tries to unravel a series of strange murders and why she believes they are linked.

Hopefully later this year – mid year at this stage – I will be able to release the first two books in the Queen of Spades Series. This is my first foray into Sci Fi Romance, though the story lends itself more to Sci Fi than romance. It’s a very different writing style and take on what I do in the Last Prophecy Series. I’m quite excited to be working on it and its main character is to die for. Literally.

There is also another book series I have off to the side that promises to be far darker than anything I’ve written yet, but my husband loves the concept, despite the sordid depths its going to sink to, and I blame my nightmares for it’s inspiration.

Fun as all that is, I’ll be taking a step back from my social media and advertising to focus on writing more. I’ll be designing my own covers for the foreseeable future, but the part that hurts most about all this is being unable to get any more of Nushi’s fabulous artwork done because we’re saving for the house.

I’ve bemoaned to fellow authors in the same predicament as me that we seem to give up an awful lot of things relentlessly pursuing this indie author dream. And the Treasure Planet line has been thrown about more than once, in fact, I expect certain friends to inact a daily quota I am not allowed to exceed.

I was explaining this beautiful scene from the Disney movie to someone who hadn’t seen it (and if you haven’t, spoilers, and stop reading this and go watch it, I don’t care how old you are). How moving it was to see Jim and Silver fly the little schooner about the stars. The eventual return to the main ship to dock for the evening, and how Jim tells Silver that he has all these plans. Silver looks so forlornly at him, telling him to be careful, that things don’t always turn out the way you plan. And for those of you who’ve seen it, Silver tells Jim, knowing that he’ll betray the newfound trust Jim has in him, sooner rather than later.

When Jim asks Silver how he lost his hand, Silver stars down on it, and it tears my heart out every time I see Silver look at cold steel, the metal folding into a curled fist, as though to hide that he cannot see the palm of his hand anymore. Those epic lines in the softest baritone tremble through the air; you give up a lot of things, chasing a dream.

How many times have I said that same thing, sitting over a keyboard wondering if my words will ever be read? Staring at thousands of hours of worth of text and wondering if anyone cares as much as I do for the story they hold. Fumbling my way through the plots and images in my head to make what I want to say be an engaging book.

But how do I always forget what Jim says next; was it worth it?

Yes. It’s a certainty breathed into my soul.

Because if it isn’t worth doing now then it won’t be worth it even when I can write full time, or have that publishing contract. It’s not worth it if I don’t get everything I can out of the process itself.

When I finished writing A Phantom Presence last year there was something very satisfying in not bursting into tears and feeling a horrid kind of mental anguish as I did so completely with the Well of Youth.

When I finished the Phantom I was quietly, assuredly, proud.

This year the goal is to write six books, publish four, and remember that this is a dream worth chasing.

15 Ways to Write More During Nanowrimo

I’m crying. I’ve been crying all morning.

Pronoun is shutting down and I have no idea what I’m going to do. I just launched the Well of Youth and its getting 4 and 5-star reviews. I just put a lot of money into advertising and reviewing to garner its attention. I took down my novella and made it free before, lost all the great reviews that Amazon wouldn’t put back, and got left with a bunch of mediocre ones.

I’ve cried in bed, in my husband’s arms, over blueberry pancakes and in the shower while I pulled myself together. Now, on my 5th coffee, I will still do the post I was going to do today.

Which is to tell you how I do Nanowrimo.

 

I committed to 150k words for the month of November, to write the next novella in the Last Prophecy Series, and to do the next book in the Queen of Spades series. Its been a rough couple of days but I’m on over 10k words and plan to write another 10 if not 20 today by mostly pouring my heart and soul into it.

How?

So first up (& cheating a little here) I posted last year on 5 ways to get through writer’s block;

https://ejdawson.com/2016/06/28/5-tips-for-writers-block-on-your-project/

I can’t recommend deciding on two separate decisions a character has and rolling to see which is more likely, that gets me through so many hard writer’s blocks.

But now I want to impart 2 other lots of tips; 5 ways to work on your book when you can’t physically sit down, and yet another 5 ways to get through writer’s block with your current work in process!

5 Ways to Work on your Book when you can’t sit and Write.

  1. Think about it all the time!

I do mean this. I think about my story when I’m on the road, when I’m in the shower, and when I’m going to sleep. It doesn’t matter if I forget or can’t write it down, I follow the thread and review where I’m currently up to, and then I sort of play out the rest of the chapter or scene in my head. I pretend it’s a movie I’m directing, and when the characters don’t speak or act I have to prompt them. Sometimes it helps me see objectively how a reaction is wrong, or the story isn’t going in the right direction.

The added benefit of this is that you *know* what you are going to be writing when you finally do sit down so it’s not such an issue.

2. Take a notebook!

I can’t believe I have to say this but take a notebook. Not your phone, not a tablet. A book of blank pages. A writing implement. I carry one everywhere with me to pencil in ideas, write down the names of characters or even just a great name when I hear it.

Don’t make excuses not to carry one. You can fit a palm-sized notebook in your pocket, pens are everywhere – and that’s only if you don’t have a backpack or handbag!

I have nearly lost great ideas because I didn’t have a notebook, and when I don’t have one I scrounge for paper and pens. I’ve written an idea on a napkin with the waiter’s pen.

The added benefit of this is that you actually remember it better when you physically write things down. This has been proven, (don’t ask me where I don’t remember) for exams and tests. So if you write your brilliant scene in dot point formation it will actually be easier to remember when you do get to write it down!

3. Talk to Someone who’s Objective

I’ve said this numerous times, but my husband’s ability to predict movies and books never ceases to amaze me. When we were dating he hadn’t seen the Usual Suspects and within the first 15 minutes knew Keyser Soze was the bad guy.

So when I have a plot problem I throw what my plans are at him, usually on drives and when we’re walking the dogs, to see if it’s too predictable. If you are worried about the direction of a story ask a trusted and honest friend.

Not someone who says “Yeah, that’s great!” and doesn’t offer any critical feedback.

Someone who will listen quietly and give good advice. They are rare people to have, but they might surprise you with their insight.

4. Make time to exercise

I suck at this one. But it helps clear the cobwebs in my head, it gets rid of the stress. Even a walk listening to the soundtrack I’m writing to is really helpful. Alone time with your thoughts is as important as writing time. It’s really that simple.

5. Plan your time

I have a good habit of sitting at my computer and just writing all the time. I do it when I’m waiting for games to load, I do it when I’ve got a spare 20mins, I do it during my lunch break at work. There are little ways you can spend five minutes getting through a scene or bit you don’t like, so that when you return you can work on the good bits. Don’t worry about it being a perfect setting, just make sure you have the capacity to write as much as possible wherever and whenever you are.

What I mean by this, is that I go through my day and pre-plan writing time; I have to exercise this morning so I’ll write at lunch. I will get home late today because of a meeting so I’ll write tomorrow morning. Think about when you are going to write, and make sure you do it, even if it is only a few minutes. It helps to know you are allocating time specifically to writing, even if it’s only a little, and sometimes that time can be very productive!

 

5 More Ways to Work on your WIP!

  1. Are you listening to the right music?

It came up in a FB post what people listen to, and is it odd to listen to soundtracks while you write? I *cannot* write without a soundtrack, I will actually hunt around for the right soundtrack for my story.

And you don’t have to listen to the LOTR soundtrack to write fantasy. The music should evoke a response from you, and you use that response to write the story you wish to work on. You wouldn’t listen to an upbeat song during a funeral scene, so you need to make sure you’re selective. It also has the added benefit of blocking out other sounds and distractions.

It doesn’t have to be soundtracks either, there are numerous artists out there I suggest you check out for evocative music;

Zack Hemsey; I can’t get enough of this guy, both his singing and instrumental. I am listening to Nomad right now, and I love his songs.

Audiomachine & Two Step from Hell; Both these are great for more fantasy/epic music, but I find there is a great balance of other songs in there too, really wonderful to write too.

Celldweller & Glitch Mob; I’ve been listening to heaps of these guys for my sci-fi romance. They have great action songs, upbeat and full throttle, and they can drop to darker/sadder music too.

2. Where are we?

In the story? Are you describing what everyone is wearing/doing? Are you travelling somewhere? What’s out the window?

Sometimes just a paragraph on what can be seen out the window of a car is far more telling, and sometimes it can lead to intimacy or moments between characters you didn’t see coming; touching hands accidently, a moment of solace. Even bringing the tension higher by sticking the protagonist and love interest in the back seat together when at this particular moment they can’t stand the sight of each other. Or better yet, the protagonist and antagonist.

There are the actions scenes that are great, but what comes between those are dialogue and description. Don’t forget those, and if you start with a description sometimes the dialogue happens on its own.

3. Plan your chapters

Presumably you know roughly how long your story is going to be, whats going to happen in the end. Even if you don’t this is a good way to keep things on track.

I usually know whether my work will have roughly 3k or 5k chapters. I then lay out the story based on the estimated word count I expect. My novellas are 50k words, my fantasy books are 130k, and my sci-fi romances are 100k.

I break it down into chapters, and then I start writing out one line about what happens in each. Sometimes (especially for the bigger books), I’ll leave a few lines. I don’t always stick to this plan, but when I don’t have the motivation to write or am not sure I’m happy with what’s going on, it’s a great reminder of where I’m supposed to go.

The stories tend to have their own lives, and there is a constant question of “Panster/Plotter”. For those of you who don’t know a panster is someone who does next to no planning, and a plotter lays it all out.

It’s been compared to planting a seed and letting to grow, to being an architect and building a house.

I like to think of chapter planning as planting a seed, and putting up the frame work of a house, and then letting the plant grow. You can encourage it to climb in any direction, but sometimes it will head off on a tangent you didn’t see, and that might be a great thing. If not, you can always chop it off and refocus on your framework, it at least keeps you on track!

4. Secondary Characters

Without them the story can be lacking, they give it fibre, believability. So what do they think about what’s going on? Do they agree/disagree with the current status of the book? Maybe the main character doesn’t care what they think but that doesn’t mean they aren’t aware. Is it worth telling the reader at this point? Wouldn’t it be better to show them by bringing them up?

It can be a concerned parent or guardian. A bossy sibling. An angry friend. A crying lover.

What is the effect of what you are putting your MC through to everyone else?

Whether it’s dropping out of school or deciding whether the antagonist should die, the decisions your MC makes has an effect, and not just on supporting characters. On the principle of the school, on the general public when they see what happens to those that cross the protagonist.

We give our MC actions to take, that they think are right, but what if someone else thinks they are wrong? Ask yourself this, see if it affects what is happening right now.

5. Leave it alone.

Yeah, OK. This runs in complete contradiction to one of the tips I gave which was to write through it. When I was writing Phantom Presence I was really angry about a lot of things and my normal outlet couldn’t cut it. I had to walk away from the MC because I didn’t have the patience the character possessed to keep writing her story.

Sometimes emotions sneak up on you, and they can influence your writing for the better, making your stories great. Other times they can completely stuff up the attitude of your MC, making them more depressed or angry than they otherwise are.

There is never a perfect time to write, but there are the times when it isn’t happening, and you need to treat your characters and story with the respect they are due, sit back, take a breath.

Venting feelings through writing is a good thing, but sometimes you need to give it a break, maybe watch a movie or something, and then get back into it.

Writing isn’t easy, I don’t need to tell you that. Writing this has been very therapeutic for me in the wake of Pronoun going down. I can admit that now, and keep working on Nanowrimo.

The Well of Youth is LIVE!!

It didn’t dawn on me until I was sitting at the launch, the display out for everyone, that I felt like I could be excited! The local Mayor was coming to give a speech, my Dad flew down from the NSW coast unexpectedly, but I didn’t feel until that moment that I’d really done it.

As people started turning up it started to pass in a blur, but I got so many pictures, and I am pleased to say this is one of the few I took alone (the rest are with the many loved ones standing next to the banner with me – or without me, I’m looking at you David);

There was cake too! – Ok, so it doesn’t look like it, but that big fat book is really a big fat chocolate cake that was delicious, thank you Vaye!

I got to catch up with so many old friends, and people I didn’t expect who made the afternoon wonderful! It felt less about showing off what I’d done, and more being grateful to all the people there.

To Scott who spent so much time helping me with it.

To Nushie, who couldn’t be there, but gave me such beautiful artwork, breathing life into my stories.

To Kate for making me look so pretty.

To Caroline for making me not feel awkward when she took pictures.

To Lorna for being my aid that day, unquestioningly making it go smoothly.

And to Emily who cracked jokes when I was nervous.

To Dee who gave such a… moving speech. It was very hard to do my speech afterward!

All the friends who came from far and wide, and it felt far less like I was talking to a bunch of strangers about my self spoken importance, and more about how far I’d come, and that they’d all had a part of it.

To my husband’s family who was there to support me – it meant so much and they have always made me feel so included in their family, even if I was a little odd.

To my Dad… who didn’t just come, he helped inspire all of this. I still got through the speech but it wasn’t easy!

I spent the evening hanging out with old uni friends who hadn’t seen each other in years and eating pizza while we reminisced. And then I went home and tired as I was I couldn’t sleep!

The next day should have been about follow up but instead I was at the Allcan Events Fundraiser for Breast Cancer, giving a speech, not about my stories or that I was an author, but about my very brave aunt who fought off cancer for nearly twenty years.

A beautiful event hosted by a work collegue and friend, Gigi, I was honoured, not just that she took the time out of a busy prep Saturday for her fundraiser to come to my book launch, but she also asked me to speak at her luncheon.

Its been a few days coming but I am glad to see the books finally online everywhere and now the hard part of marketing.

I couldn’t have done any of it without the love and support of my husband to whom I am truly grateful. He probably won’t read that but its OK, I do tell him, every day. And intend to keep doing so even with all the books that are to come.

Thank you all of you who were there on the day, and those of you who couldn’t make it I still got your wonderful messages of love and support and it gave me a sense of accomplishment. Thank you all!

Birthday Book Launch!

Its coming, its so close and I am so excited to start talking about it!

SIX WEEKS TO GO until The Well of Youth will be officially released and available for purchase! To celebrate this culmination of years of hard work and passionate creativity, I will be hosting a launch event in my home town of Trentham.

I invite you to join me to celebrate not only the release of the first book in the Last Prophecy series, but also, my birthday!

The launch will take place at the Cosmopolitan Hotel in TRENTHAM, VICTORIA (21 High Street, Trentham) on Saturday, 14 October, from 4-7pm (AEST).

I will be speaking on the day – as will some invited guests – and I expect that the local, intimate nature of the event will provide plenty of opportunity for you to grill me about what you can expect as we continue through the Last Prophecy stories!

Now, I am very aware that Trentham is a bit of a hike – even for those of you based in Victoria – so I have decided that the event will also be live recorded on my Facebook page. This will mean that the prizes (yes, there will be prizes) will be on offer to my wonderful supporters and network all over the world. Stay tuned as the event approaches for more details!

So get out your bookmarks and save the date – Saturday 14 October, 4-7pm – and come along and join me in toasting the release of my new book, The Well of Youth.

 

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