1 Book in 25 Days

I wrote a book in 25 days.

Lets cut straight to the facts as they are;

  • I don’t have kids
  • I live in a rural area
  • I have a short commute
  • I worked fucking hard at it

 

I love the book, I think it’s a great stand alone story and for me that’s a rarity.

It sprung into my head after I halted work on the Last Prophecy series because buying houses is expensive and the budget said no to editing. Hell the budget said no to my damn haircuts, but we negotiated over vodka. I gave up desserts for it as part of keto.

Scott, being the wonderful and supportive person he is, rightly pointed out it’s just a delay so those of you who’ve stuck with me this far, I’m sorry. I’m still writing the stories, but the release dates are totally out of my hands.

Instead I’ve done some beta recommended rewrites on Queen of Spades the last month, and this other idea I’ve titled Behind the Veil.

The book wouldn’t shut up. It wouldn’t go away. I sat down and wrote it with no idea what was going to happen. I don’t think it’s a steaming pile of garbage but the verdict is still out from the first beta reader.

So, how did I write it?

 

  1. Writers Block

 

When you don’t have an idea what happens next you need to think quickly and keep typing, keep writing, keep the momentum going. I’d start a chapter with a bang and finish it on a cliff-hanger of a comment which dragged me back into what happens next?

It kept the story moving briskly and my pace was very high. There was more to it than that but I’ve written articles on how I do this before.

 

  1. Sprints

 

Fellow writer Zack Riley runs a cosy little discord channel that allows me to do writing sprints. I normally run for an hour, and will do several hours all in a row with 15 to 30min breaks.

The sprints have a bot timer so you have a prompt to keep you on track. You start a sprint, add yourself & your word total, and go when the buzzer hits. There is no TIME to stop and think, you’ve got to write as many words as you can and you are only challenging yourself. It takes practice to do it on command, (I’ve been doing it for 5 years) but after a while you can just sit and work on the story.

When I started I’d be lucky to get a couple of hundred.

Now, on a bad session, I’ll get 1200 words or so. On a good one I’ll get 2.5k words.

 

  1. Outline

 

There wasn’t one. I just wrote Letitia’s story as hard as I possible could. I kept the story going as much as I could. Letitia may as well have been possessing me for how this story spilled out on its own.

I like to credit my imagination, but I read a lot of horror, I’d just never written it before, and it was exciting to be doing this for the first time.

You should have some idea of where it is going, just don’t be afraid if the story turns into something else, if its pressing you to write it, then its exciting, not just for you but hopefully the reader too! If its becoming boring and predictable to you, how is it going to feel to the reader? Try just letting yourself go, and sprints is a great way to do that.

 

  1. No breaks!

 

No capes, no breaks.

I would get up in the morning and write, I would write at lunch, I’d get home and write, and I’d write for as much as ten hours on a weekend. I felt invigorated and refreshed by the constant appeal of not knowing what was going to happen. The story that was whispering in my ear, kept me coming back, even dreaming about it. By the end of it I just wanted to go back and edit it because I was in love with it.

No games. No TV shows. Nothing but writing and reading breaks (with the odd Armello game with Zack).

It meant I watched a couple of movies with my husband. We live alone, and we’re far from friends, so my time was able to be utilized to write, and knowing it was important he was incredibly supportive and reminded me to eat.

 

  1. You can do this too

 

I am lucky in that I don’t have kids or other commitments that consume too much of my time. I live in a rural area I’m new to which means I don have many local friends.

But I work 40plus hours a week.

I have a dog that needs walking twice a day.

Hubby & I share the housework evenly. Sure he might have cooked more, but I do my part.

It was how I utilized my writing time. Rather than socialize on Twitter, I told people I was writing.

Rather than stuff around doing other things I focused solely on what time I sat down at my computer and how much writing I could put into that time. It wasn’t something I could do when I started five years ago.

All of this takes years to balance and even now I feel overwhelmed and overworked some days.

You can do this too, remember what time you sit down at a computer and ask yourself what do you want to get out of that time.

Do the writing sprints and get better with practice.

Take the story other places, let it guide you, learn to listen to it.

 

 

 

At the end of this all I want you to take away is that you could do this.

You could write a book in 25 days.

Ask yourself how you are utilizing your time, and what you want to get out of it.

Learn how to do writing sprints and how to fly by the seat of your pants. Even if you plot, you really just have to know what you are writing next, sit down, and do it.

I had to give up on a part of my life that had never made me happier. The Last Prophecy series is my calling to write. But while its on hold, and while I can write like this, I know a two very important things;

I’ve never been poorer, & I’ve never been happier.

I’ll write my own stories, my own way, and every time I figure out a new way to do it I’ll share it with you.Choose to be happy.

Helping Writers

thankyou(1)



Its come about thanks to a Twitter post that my Book Tour schedule is full for the rest of year, and my Author Interviews are also heavily booked, so I wanted to ask that if you are a writer with a website you help too.


So, where to start?


This is both the easiest and the hardest part. You just get started, you open your website and start posting. Six months ago I hadn’t started this, and now I’m fully booked. You’ve just got to knuckle down, send out a well tagged tweet, and wait and see.


Plus… you know… I’m a writer too, you could ask me… *ahem* Moving on…


There may be other ways to do this, but I just went to other people’s websites, worked out how I wanted to set it up on mine, and got the pages ready. I use WordPress, and I am not great at it but I’ve got mine trucking along. The more you use it, the more you learn and get better.


Start by setting up your pages for Book Tours, and Author Interviews. Feel free to explore mine and other author websites on how they’ve gone about this. I also have another sub-section for archived author interviews. Then I have a space specifically for Indie and Traditionally published book reviews, which also has an archive. The reason I have separated the two is because I don’t want to show I read just one type, I want to show I read widely, and not every book is perfect. I’ll go into how I post reviews, both good and bad.


Draw up a Google spreadsheet/Excel/preferred scheduler and work out how often do you want to post. Once a month? Once a week? I do mine twice a fortnight, because I work full time and it does take a bit of time to put it up. I’m getting faster the more I post, but a Book Tour post will take about 30mins, and an Author Interview about an hour. Sometimes its less but I’m slower because I’m careful.


I therefore have two lines, for two times of the month, and then the corresponding months at the top of the column. Yes, I’m drilling down into basics but not everyone is familiar or comfortable with excel/spreadsheets.


On a second tab I list the name, email address, links, a marker whether I’ve emailed them and whether I’ve received all the relevant information I need to make the post at the time. I then have a folder in my emails for correspondence for Book Tours & Author interviews as two separate folders to help me stay organised.


Once you have your schedule ready for both you can do the following;


  1. Book Tour


This is easy, put a post up on Twitter offering spots on your website. Take it as first in first served and close it off quickly once you are booked up.

I then put the twitter tag against its date in my schedule, grab the details off the person via a DM, and send them an email with all the info I need. This is a drafted email I copy and past to save on time. It asks for the following information;


  • Book Cover
  • Blurb
  • Book link to Amazon (or most commonly used publishing site)
  • An author pic and short bio


I usually have word restrictions to make sure people don’t go overboard, it also helps to say to people that most blurbs are about 150 words, (fantasy 180). If people’s blurbs are longer you can politely let them know that, some people just dont know. If you or anyone you know is struggling with a blurb, put out feelers in your community to ask for help, or come to me, I am always happy to help.


Once they’ve emailed you, mark it off on the spreadsheet, and make sure to post it on the date. You can go to my website or just Google search Book Tours to get an idea of what other sites are doing and how they are displaying this information.


  1. Author Interviews


This is pretty much the same as the above, I have a drafted letter and enter people as I book them on the spreadsheet. For the interview of course, there are questions too. Its good to have something less formal and more customizable as a first or final question. The others are then pretty standard about writing, but find your own way of asking questions. Think about what you want someone to ask of you in your writing.


Limiting the word count here is paramount. Some writers can waffle on for hours about absolutely nothing, including yours truly.


You can also check out mine and other author websites for how they manage interviews.


      3. Book Reviews


This is not a service I offer.


I will sometimes give away reviews, but its rare.


The reason being is that there are a lot of authors who go out woefully under prepared, and that’s on their manuscript alone. I feel that way about my first novella, and so will be pulling it down off Amazon in the coming weeks, and offering it for free on my website. Its not a bad story, but it’s a slow world and character build.


I write fiction that likes to amble along beside you, not come up and punch you in the face.


We all write differently, and we all read different styles, we are allowed to not like everything we write and read.


Therefore when you go to start reviewing, be prepared for negative reactions. Not everyone is going to like, appreciate, or want your feedback. I have been dragged down into petty arguments by people who didn’t like what I thought of their book.


So I buy the book on Amazon usually, sometimes Kobo, and I leave a review on my website, Goodreads, & Amazon/Kobo.


I always try to use the critique sandwich; good stuff, bad stuff, different good stuff. It’s a great format, but points out issues to the writer.


When I first started writing I needed that desperately, and still do to a large extent. Beta readers are usually people you know, and in turn will be kinder. Someone’s who paid for your book is going to be far less so. You don’t need to be cruel, but you also don’t have to shower praise over it.


This is why I leave reviews for both Traditional and Self published books, because I like to make the clear distinction I dont see them any differently. I’m here for the story. I will rarely pick on editing unless its truly dreadful, and a deterrent to the book. I also don’t usually post anything less than 3 stars, and my reasons for doing so are that its seems cruel not to find anything nice about the story. Most stories that make it to any form of publication have something redeemable about them. When I come across a book that I’d rate that low, I am usually very specific in my review as to why.


If you are going to offer reviews please be prepared to expect a backlash if you give a book a less than savoury review, especially when its badly articulated and lacking in itself. If you are going to upset an author its better to phrase it well, and kindly, so they take the advice on board and look to improve themselves, rather than be bitter and tear you down in return. Which has happened to me. It was vile and unpleasant and its why I’m stressing that you be careful when doing this.


Here is the other thing to be wary of ⸺ some authors will refuse anything other than five stars.


This is why I prefer the anonymity of picking and choosing what I will and wont review, it doesn’t give the author a choice. This is just my preference however, how you want to review is up to you, its your website, and your reviewing platforms.


The most important thing to remember is that you dont have to do all of this, or do it this way. Go out and explore, work out what you want to get out of this, and how you want to go about doing that. All I get is the warm glow that I’m helping, and added benefit of website traffic. But mostly the warm glow.


My aim as always been to help other writers, with whatever I can, as much as I can. Will you join me?


A Successful Author

The first time I was asked when would I call myself a successful author, the answer was easy; if I was writing full time it meant people where buying enough of my book that I could do what I wanted.

 

That was when I started four years ago.

 

It doesn’t feel that long, but an aeon of time has passed, so much of my life has changed. Much of it not for the better. And now I know how incredibly wrong I was.

 

I read over and over on Twitter about people making it, they get agents, advances from publishers and all the while a host of “aspiring” authors sit in the wings, clutching their precious creation of fiction, and weep for the day it will be them too.

 

It started to make me sad, seeing so many of them, and knowing I was one among the throng.

 

How could I possibly hope to be a successful author if I couldn’t even publish my books. After 3 very hard years I still only had half of what I wanted out there for readers.

 

One full time self-published writer told me she released a book every three to four months.

 

I hadn’t done that, I spent years in a vacuum of tragedy, seeking to find definition in a life that wasn’t of my choosing, of potentially being barren, of everything that was wrong and everyone in it who laughed at my aspirations.

 

Worse still, I started to see other stories that didn’t have a magical happy ending.

 

About how people’s books were given that gold status; sold to a publisher.

 

But then the advances they got, what happened to them afterwards, it was rare anyone truly made it on one book alone. I started to question what “making it” really meant.

 

Then other stories came out, how the publisher didn’t want another book from that author, how the author lost their way, the golden moment, a brief passage. More and more you read how authors make on average less than ten thousand a year. It doesn’t matter the currency, only that it’s not enough to be a full time author.

 

Authors who’d won awards for books they’d written previously, but worked in mediocre jobs because a publishing contract isn’t a magic wand that changes your life.

 

My idea of success was dwindling with every tweet I read, every article on what it meant to finally make it, only to fall down when no one was interested in your stories anymore.

 

Even the so called full time authors lived in perpetual fear that they weren’t real. They called it imposter syndrome, and even the thousands of reassurances from fans, readers, and writers alike did little to abate it returning in a matter of days in another self-depreciating tweet.

 

If traditional publishing wasn’t the way then what was?

 

I self-published knowing I’d done it because I’d be rejected by a traditional publishing, but hoping after my 21 book novella series was bought up by the masses a golden contract would be handed to me too.

 

I wasn’t prepared.

 

I published a mediocre novella, followed it up with an OK one, and then published a reasonably good book.

 

It was a learning curve, but I felt like a failure.

 

And I wasn’t the only one. For every indie author I saw out there with a brilliant story, who thought to go alone and self-publishing was the key, many have done it unprepared.

 

Bad book covers. Bad editing. Bad stories read by betas who were friends or fellow authors and didn’t want to be honest about picking up parts of the story that were lacking. Learning that your work needs honesty of good editors and beta readers, that not even the first, second, or third draft is perfect is the hardest, most agonising lesson for new writers. Many don’t listen.

 

Writing the story is possibly the easiest part. Its polishing the script, waiting on it to mature, sitting with it and going over and over it again to make it as perfect as possible that is the hardest thing.

 

I have spent too long bent over my keyboard crying for what might have been to let myself do this anymore. To let someone else’s magical success crush the life out of a story I believe in heart and soul. A person I believe in with everything that I have that has given me strength through the darkest hours of my life.

 

It’s me, I have a purpose, and its being an author.

 

But I had to redefine what I wanted my success to be, in order to be successful.

 

THE DEFINITION OF AN AUTHOR IS A WRITER OF A BOOK.

 

I am NOT asking you, I’m telling you, look it the fuck up.

 

I haven’t written a book. I’ve written many. I will write many more.

 

To be successful at selling a book you have to be a salesperson.

 

To be successful at getting a wider audience you have to be in marketing.

 

To be successful at making money writing you have to be good in business.

 

Being a successful author doesn’t require any of those things.

 

Not all of us will ever be able to “make it” to what our inner hearts believe is success without working incredibly hard, every day, and to a large extent have an inordinate amount of luck.

 

Its become very important to me that I realise if I want to be at peace with the event of never “making it” I have to redefine my answer when someone asks when would I call myself a successful author.

 

I am one.

 

Right now.

 

If you’ve ever written a book you aren’t “aspiring” to anything. You are successful at being an author. And if you’ve ever done it, you will have gone so much further than just about anyone you know. Sit back and think about it, how many people do you know had the tenacity to sit down and write a book?

 

Few.

 

In the greater scheme of things, very few.

 

And if you haven’t written a book yet I want to tell you something. Finally finishing that bastard isn’t going to magically make the world a golden, magical, fantasy. It will be the same world. But you, you, my beautiful, creative, magnificent, writer, will be a successful author.

 

 

Sunset chaser

15 Ways to Write More During Nanowrimo

I’m crying. I’ve been crying all morning.

Pronoun is shutting down and I have no idea what I’m going to do. I just launched the Well of Youth and its getting 4 and 5-star reviews. I just put a lot of money into advertising and reviewing to garner its attention. I took down my novella and made it free before, lost all the great reviews that Amazon wouldn’t put back, and got left with a bunch of mediocre ones.

I’ve cried in bed, in my husband’s arms, over blueberry pancakes and in the shower while I pulled myself together. Now, on my 5th coffee, I will still do the post I was going to do today.

Which is to tell you how I do Nanowrimo.

 

I committed to 150k words for the month of November, to write the next novella in the Last Prophecy Series, and to do the next book in the Queen of Spades series. Its been a rough couple of days but I’m on over 10k words and plan to write another 10 if not 20 today by mostly pouring my heart and soul into it.

How?

So first up (& cheating a little here) I posted last year on 5 ways to get through writer’s block;

https://ejdawson.com/2016/06/28/5-tips-for-writers-block-on-your-project/

I can’t recommend deciding on two separate decisions a character has and rolling to see which is more likely, that gets me through so many hard writer’s blocks.

But now I want to impart 2 other lots of tips; 5 ways to work on your book when you can’t physically sit down, and yet another 5 ways to get through writer’s block with your current work in process!

5 Ways to Work on your Book when you can’t sit and Write.

  1. Think about it all the time!

I do mean this. I think about my story when I’m on the road, when I’m in the shower, and when I’m going to sleep. It doesn’t matter if I forget or can’t write it down, I follow the thread and review where I’m currently up to, and then I sort of play out the rest of the chapter or scene in my head. I pretend it’s a movie I’m directing, and when the characters don’t speak or act I have to prompt them. Sometimes it helps me see objectively how a reaction is wrong, or the story isn’t going in the right direction.

The added benefit of this is that you *know* what you are going to be writing when you finally do sit down so it’s not such an issue.

2. Take a notebook!

I can’t believe I have to say this but take a notebook. Not your phone, not a tablet. A book of blank pages. A writing implement. I carry one everywhere with me to pencil in ideas, write down the names of characters or even just a great name when I hear it.

Don’t make excuses not to carry one. You can fit a palm-sized notebook in your pocket, pens are everywhere – and that’s only if you don’t have a backpack or handbag!

I have nearly lost great ideas because I didn’t have a notebook, and when I don’t have one I scrounge for paper and pens. I’ve written an idea on a napkin with the waiter’s pen.

The added benefit of this is that you actually remember it better when you physically write things down. This has been proven, (don’t ask me where I don’t remember) for exams and tests. So if you write your brilliant scene in dot point formation it will actually be easier to remember when you do get to write it down!

3. Talk to Someone who’s Objective

I’ve said this numerous times, but my husband’s ability to predict movies and books never ceases to amaze me. When we were dating he hadn’t seen the Usual Suspects and within the first 15 minutes knew Keyser Soze was the bad guy.

So when I have a plot problem I throw what my plans are at him, usually on drives and when we’re walking the dogs, to see if it’s too predictable. If you are worried about the direction of a story ask a trusted and honest friend.

Not someone who says “Yeah, that’s great!” and doesn’t offer any critical feedback.

Someone who will listen quietly and give good advice. They are rare people to have, but they might surprise you with their insight.

4. Make time to exercise

I suck at this one. But it helps clear the cobwebs in my head, it gets rid of the stress. Even a walk listening to the soundtrack I’m writing to is really helpful. Alone time with your thoughts is as important as writing time. It’s really that simple.

5. Plan your time

I have a good habit of sitting at my computer and just writing all the time. I do it when I’m waiting for games to load, I do it when I’ve got a spare 20mins, I do it during my lunch break at work. There are little ways you can spend five minutes getting through a scene or bit you don’t like, so that when you return you can work on the good bits. Don’t worry about it being a perfect setting, just make sure you have the capacity to write as much as possible wherever and whenever you are.

What I mean by this, is that I go through my day and pre-plan writing time; I have to exercise this morning so I’ll write at lunch. I will get home late today because of a meeting so I’ll write tomorrow morning. Think about when you are going to write, and make sure you do it, even if it is only a few minutes. It helps to know you are allocating time specifically to writing, even if it’s only a little, and sometimes that time can be very productive!

 

5 More Ways to Work on your WIP!

  1. Are you listening to the right music?

It came up in a FB post what people listen to, and is it odd to listen to soundtracks while you write? I *cannot* write without a soundtrack, I will actually hunt around for the right soundtrack for my story.

And you don’t have to listen to the LOTR soundtrack to write fantasy. The music should evoke a response from you, and you use that response to write the story you wish to work on. You wouldn’t listen to an upbeat song during a funeral scene, so you need to make sure you’re selective. It also has the added benefit of blocking out other sounds and distractions.

It doesn’t have to be soundtracks either, there are numerous artists out there I suggest you check out for evocative music;

Zack Hemsey; I can’t get enough of this guy, both his singing and instrumental. I am listening to Nomad right now, and I love his songs.

Audiomachine & Two Step from Hell; Both these are great for more fantasy/epic music, but I find there is a great balance of other songs in there too, really wonderful to write too.

Celldweller & Glitch Mob; I’ve been listening to heaps of these guys for my sci-fi romance. They have great action songs, upbeat and full throttle, and they can drop to darker/sadder music too.

2. Where are we?

In the story? Are you describing what everyone is wearing/doing? Are you travelling somewhere? What’s out the window?

Sometimes just a paragraph on what can be seen out the window of a car is far more telling, and sometimes it can lead to intimacy or moments between characters you didn’t see coming; touching hands accidently, a moment of solace. Even bringing the tension higher by sticking the protagonist and love interest in the back seat together when at this particular moment they can’t stand the sight of each other. Or better yet, the protagonist and antagonist.

There are the actions scenes that are great, but what comes between those are dialogue and description. Don’t forget those, and if you start with a description sometimes the dialogue happens on its own.

3. Plan your chapters

Presumably you know roughly how long your story is going to be, whats going to happen in the end. Even if you don’t this is a good way to keep things on track.

I usually know whether my work will have roughly 3k or 5k chapters. I then lay out the story based on the estimated word count I expect. My novellas are 50k words, my fantasy books are 130k, and my sci-fi romances are 100k.

I break it down into chapters, and then I start writing out one line about what happens in each. Sometimes (especially for the bigger books), I’ll leave a few lines. I don’t always stick to this plan, but when I don’t have the motivation to write or am not sure I’m happy with what’s going on, it’s a great reminder of where I’m supposed to go.

The stories tend to have their own lives, and there is a constant question of “Panster/Plotter”. For those of you who don’t know a panster is someone who does next to no planning, and a plotter lays it all out.

It’s been compared to planting a seed and letting to grow, to being an architect and building a house.

I like to think of chapter planning as planting a seed, and putting up the frame work of a house, and then letting the plant grow. You can encourage it to climb in any direction, but sometimes it will head off on a tangent you didn’t see, and that might be a great thing. If not, you can always chop it off and refocus on your framework, it at least keeps you on track!

4. Secondary Characters

Without them the story can be lacking, they give it fibre, believability. So what do they think about what’s going on? Do they agree/disagree with the current status of the book? Maybe the main character doesn’t care what they think but that doesn’t mean they aren’t aware. Is it worth telling the reader at this point? Wouldn’t it be better to show them by bringing them up?

It can be a concerned parent or guardian. A bossy sibling. An angry friend. A crying lover.

What is the effect of what you are putting your MC through to everyone else?

Whether it’s dropping out of school or deciding whether the antagonist should die, the decisions your MC makes has an effect, and not just on supporting characters. On the principle of the school, on the general public when they see what happens to those that cross the protagonist.

We give our MC actions to take, that they think are right, but what if someone else thinks they are wrong? Ask yourself this, see if it affects what is happening right now.

5. Leave it alone.

Yeah, OK. This runs in complete contradiction to one of the tips I gave which was to write through it. When I was writing Phantom Presence I was really angry about a lot of things and my normal outlet couldn’t cut it. I had to walk away from the MC because I didn’t have the patience the character possessed to keep writing her story.

Sometimes emotions sneak up on you, and they can influence your writing for the better, making your stories great. Other times they can completely stuff up the attitude of your MC, making them more depressed or angry than they otherwise are.

There is never a perfect time to write, but there are the times when it isn’t happening, and you need to treat your characters and story with the respect they are due, sit back, take a breath.

Venting feelings through writing is a good thing, but sometimes you need to give it a break, maybe watch a movie or something, and then get back into it.

Writing isn’t easy, I don’t need to tell you that. Writing this has been very therapeutic for me in the wake of Pronoun going down. I can admit that now, and keep working on Nanowrimo.

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