15 Ways to Write More During Nanowrimo
I’m crying. I’ve been crying all morning.
Pronoun is shutting down and I have no idea what I’m going to do. I just launched the Well of Youth and its getting 4 and 5-star reviews. I just put a lot of money into advertising and reviewing to garner its attention. I took down my novella and made it free before, lost all the great reviews that Amazon wouldn’t put back, and got left with a bunch of mediocre ones.
I’ve cried in bed, in my husband’s arms, over blueberry pancakes and in the shower while I pulled myself together. Now, on my 5th coffee, I will still do the post I was going to do today.
Which is to tell you how I do Nanowrimo.
I committed to 150k words for the month of November, to write the next novella in the Last Prophecy Series, and to do the next book in the Queen of Spades series. Its been a rough couple of days but I’m on over 10k words and plan to write another 10 if not 20 today by mostly pouring my heart and soul into it.
So first up (& cheating a little here) I posted last year on 5 ways to get through writer’s block;
I can’t recommend deciding on two separate decisions a character has and rolling to see which is more likely, that gets me through so many hard writer’s blocks.
But now I want to impart 2 other lots of tips; 5 ways to work on your book when you can’t physically sit down, and yet another 5 ways to get through writer’s block with your current work in process!
5 Ways to Work on your Book when you can’t sit and Write.
- Think about it all the time!
I do mean this. I think about my story when I’m on the road, when I’m in the shower, and when I’m going to sleep. It doesn’t matter if I forget or can’t write it down, I follow the thread and review where I’m currently up to, and then I sort of play out the rest of the chapter or scene in my head. I pretend it’s a movie I’m directing, and when the characters don’t speak or act I have to prompt them. Sometimes it helps me see objectively how a reaction is wrong, or the story isn’t going in the right direction.
The added benefit of this is that you *know* what you are going to be writing when you finally do sit down so it’s not such an issue.
2. Take a notebook!
I can’t believe I have to say this but take a notebook. Not your phone, not a tablet. A book of blank pages. A writing implement. I carry one everywhere with me to pencil in ideas, write down the names of characters or even just a great name when I hear it.
Don’t make excuses not to carry one. You can fit a palm-sized notebook in your pocket, pens are everywhere – and that’s only if you don’t have a backpack or handbag!
I have nearly lost great ideas because I didn’t have a notebook, and when I don’t have one I scrounge for paper and pens. I’ve written an idea on a napkin with the waiter’s pen.
The added benefit of this is that you actually remember it better when you physically write things down. This has been proven, (don’t ask me where I don’t remember) for exams and tests. So if you write your brilliant scene in dot point formation it will actually be easier to remember when you do get to write it down!
3. Talk to Someone who’s Objective
I’ve said this numerous times, but my husband’s ability to predict movies and books never ceases to amaze me. When we were dating he hadn’t seen the Usual Suspects and within the first 15 minutes knew Keyser Soze was the bad guy.
So when I have a plot problem I throw what my plans are at him, usually on drives and when we’re walking the dogs, to see if it’s too predictable. If you are worried about the direction of a story ask a trusted and honest friend.
Not someone who says “Yeah, that’s great!” and doesn’t offer any critical feedback.
Someone who will listen quietly and give good advice. They are rare people to have, but they might surprise you with their insight.
4. Make time to exercise
I suck at this one. But it helps clear the cobwebs in my head, it gets rid of the stress. Even a walk listening to the soundtrack I’m writing to is really helpful. Alone time with your thoughts is as important as writing time. It’s really that simple.
5. Plan your time
I have a good habit of sitting at my computer and just writing all the time. I do it when I’m waiting for games to load, I do it when I’ve got a spare 20mins, I do it during my lunch break at work. There are little ways you can spend five minutes getting through a scene or bit you don’t like, so that when you return you can work on the good bits. Don’t worry about it being a perfect setting, just make sure you have the capacity to write as much as possible wherever and whenever you are.
What I mean by this, is that I go through my day and pre-plan writing time; I have to exercise this morning so I’ll write at lunch. I will get home late today because of a meeting so I’ll write tomorrow morning. Think about when you are going to write, and make sure you do it, even if it is only a few minutes. It helps to know you are allocating time specifically to writing, even if it’s only a little, and sometimes that time can be very productive!
5 More Ways to Work on your WIP!
- Are you listening to the right music?
It came up in a FB post what people listen to, and is it odd to listen to soundtracks while you write? I *cannot* write without a soundtrack, I will actually hunt around for the right soundtrack for my story.
And you don’t have to listen to the LOTR soundtrack to write fantasy. The music should evoke a response from you, and you use that response to write the story you wish to work on. You wouldn’t listen to an upbeat song during a funeral scene, so you need to make sure you’re selective. It also has the added benefit of blocking out other sounds and distractions.
It doesn’t have to be soundtracks either, there are numerous artists out there I suggest you check out for evocative music;
Zack Hemsey; I can’t get enough of this guy, both his singing and instrumental. I am listening to Nomad right now, and I love his songs.
Audiomachine & Two Step from Hell; Both these are great for more fantasy/epic music, but I find there is a great balance of other songs in there too, really wonderful to write too.
Celldweller & Glitch Mob; I’ve been listening to heaps of these guys for my sci-fi romance. They have great action songs, upbeat and full throttle, and they can drop to darker/sadder music too.
2. Where are we?
In the story? Are you describing what everyone is wearing/doing? Are you travelling somewhere? What’s out the window?
Sometimes just a paragraph on what can be seen out the window of a car is far more telling, and sometimes it can lead to intimacy or moments between characters you didn’t see coming; touching hands accidently, a moment of solace. Even bringing the tension higher by sticking the protagonist and love interest in the back seat together when at this particular moment they can’t stand the sight of each other. Or better yet, the protagonist and antagonist.
There are the actions scenes that are great, but what comes between those are dialogue and description. Don’t forget those, and if you start with a description sometimes the dialogue happens on its own.
3. Plan your chapters
Presumably you know roughly how long your story is going to be, whats going to happen in the end. Even if you don’t this is a good way to keep things on track.
I usually know whether my work will have roughly 3k or 5k chapters. I then lay out the story based on the estimated word count I expect. My novellas are 50k words, my fantasy books are 130k, and my sci-fi romances are 100k.
I break it down into chapters, and then I start writing out one line about what happens in each. Sometimes (especially for the bigger books), I’ll leave a few lines. I don’t always stick to this plan, but when I don’t have the motivation to write or am not sure I’m happy with what’s going on, it’s a great reminder of where I’m supposed to go.
The stories tend to have their own lives, and there is a constant question of “Panster/Plotter”. For those of you who don’t know a panster is someone who does next to no planning, and a plotter lays it all out.
It’s been compared to planting a seed and letting to grow, to being an architect and building a house.
I like to think of chapter planning as planting a seed, and putting up the frame work of a house, and then letting the plant grow. You can encourage it to climb in any direction, but sometimes it will head off on a tangent you didn’t see, and that might be a great thing. If not, you can always chop it off and refocus on your framework, it at least keeps you on track!
4. Secondary Characters
Without them the story can be lacking, they give it fibre, believability. So what do they think about what’s going on? Do they agree/disagree with the current status of the book? Maybe the main character doesn’t care what they think but that doesn’t mean they aren’t aware. Is it worth telling the reader at this point? Wouldn’t it be better to show them by bringing them up?
It can be a concerned parent or guardian. A bossy sibling. An angry friend. A crying lover.
What is the effect of what you are putting your MC through to everyone else?
Whether it’s dropping out of school or deciding whether the antagonist should die, the decisions your MC makes has an effect, and not just on supporting characters. On the principle of the school, on the general public when they see what happens to those that cross the protagonist.
We give our MC actions to take, that they think are right, but what if someone else thinks they are wrong? Ask yourself this, see if it affects what is happening right now.
5. Leave it alone.
Yeah, OK. This runs in complete contradiction to one of the tips I gave which was to write through it. When I was writing Phantom Presence I was really angry about a lot of things and my normal outlet couldn’t cut it. I had to walk away from the MC because I didn’t have the patience the character possessed to keep writing her story.
Sometimes emotions sneak up on you, and they can influence your writing for the better, making your stories great. Other times they can completely stuff up the attitude of your MC, making them more depressed or angry than they otherwise are.
There is never a perfect time to write, but there are the times when it isn’t happening, and you need to treat your characters and story with the respect they are due, sit back, take a breath.
Venting feelings through writing is a good thing, but sometimes you need to give it a break, maybe watch a movie or something, and then get back into it.
Writing isn’t easy, I don’t need to tell you that. Writing this has been very therapeutic for me in the wake of Pronoun going down. I can admit that now, and keep working on Nanowrimo.