Every writer has their toolkit of stuff they use for a host of things that never occur to you starting out. Books, webpages, resources that help with everything from finding the name of a bar, to working out how to rephrase letting go of a breath you didn’t know you were holding.

We’re all guilty of this one, don’t even pretend you’re not.

People will occasionally talk about their resources or what worked for them, so before I launch into what worked for me, this comes with a warning for all the advice I give. Find out what works for you. Not every tip/trick/harebrained font change is going to work out well for you or your writing. Trust your gut, and go with that, and you’ll make the right decision.


So you want to write/you’ve written a book, and now its time for the next big thing. Except… wow what an effort. Where do you even start? I mean the age brackets of children, middle grade, young adult, new adult, adult is just the tip of the iceberg. Then you’ve got genre, word count, lots of figuring out and you haven’t even got to the good bits!! (names and mood boards – we all know they’re the good bits).

When I’m feeling too much pressure to write a particular thing, or have a couple of different projects on, I’ll go to the genre blender and use it to either push me towards one project, or try something new. It might last half an hour, or I might come away with a brilliant idea. There are a lot of different generators on this list so have a play, it could be fun!

PLOT vs PANSTER – Save the Cat Writes a Novel

There are two ways (no there aren’t, there are many ways, these are typical), to write a book. You can plot it all out, in great detail, until everything is certain, or you can just start writing and not stop until you type the end. Both are valid. Both are not defined by those traits alone, it is the stereotypical joke of writers.

Plotting is good because you can end up saving yourself from things like predictability, pacing issues, and plot holes. I’ve adopted the Save the Cat Novel Writing methodology, which was useful to me after finding some soggy middle stuff in recent scripts.

That’s not to say I don’t pants, I do, most of my ideas are sparked by just pantsing. But once I’m sure I love the story, and kinda know where it’s heading, I use the beat sheets to help navigate. Like the writer,  Jessica Brody, demonstrates in the book, you don’t have to stick to a plot. You may find it goes slightly off beat and that may be a good thing.

WHATS IN A NAME? – Behind the Name

Ok, super secret time. When I come up with a main characters name, its always what they represent to me. Ayla, from my Queen of Spades series, came about as a variation of a name that means Tree of Life. A kind of secret I kept to myself throughout the books (which I can now talk about because book two is out, and what do you mean you haven’t read it? Don’t shout spoilers at me, you can buy book two here.).

I have a few different generators I like to do this, but my favourite will always be Behind the Name.

They have a huge variety, can do different countries of origin, full names, different mythology. There is a lot to take away from their name generators.

HASHTAG MOOD – Pintrest & Collage

A key thing a lot of authors are doing, and even some agents are asking for these days are mood boards. They help build and set tone, add a few key lines to create interest on social media, and can keep you goals focused. I created mine for Raven Lady, a scifi opera about hacking and virtual reality, as per the bellow.

Most have fewer elements than this, they have usually 9 pictures all evenly spaced in three lines of three images. These allow for a great social media post, very attention grabbing and creates an interest in the story, which might indicate which fellow writers might like to beta read the script once its done!


Yes, dear reader, it is. But it gets easier with time, daily habits, preparation and writing springs.

Carry a notebook around with you/use notes on your phone, so that if you are somewhere awkward you can’t get to your story, and you think of a cool fix for that plot hole, you can write it down.

Make a plan to write a set amount per day/week/month. Nobody gets to dictate these to you but you, but once you work out something that suits, you’re the one that has to commit to making those goals.

Speaking of – don’t start out stating you’ll Stephen King this and write 2k a day when you aren’t used to writing ten words. 2k is hard. Start soft and grow your goals as you would any other new learning curve. Start small, and adjust as you go.

Writing sprints are a fun way to commit to the time, by telling yourself a simple rule; I will only write for this time period. Every time you alt tab you smack your own damn hand, and go back to writing. At first this can be hard, so like with writing goals, you make the time period smaller. I started out at 100 words in 15 minutes, and can now write nearly 3k in an hour. Some of them are garbage, but I’ve got some gold nuggets out of those sprints.

With all these things to get yourself started, it wouldn’t be fair not to talk about the end. There is a long road of work ahead of you, no matter your goals. Remember that whatever you intend, trad, self, indie published, or just to hang onto it, there are ups and downs there too.

But nothing will ever change that you did it. You wrote a book. These are just spring boards to help you along the way though, the rest, is up to you.